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Brunelleschi's dome : the story of the great cathedral in Florence

Describes how a fifteenth-century goldsmith and clockmaker, Filippo Brunelleschi, came up with a unique design for the dome to crown Florence's magnificent new cathedral, Santa Maria del Fiore.

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  • "Story of the great cathedral in Florence"
  • "Wen yi fu xing jian zhu shi de yi ye chuan qi"
  • "文藝復興建築史的一頁傳奇"

http://schema.org/description

  • "Verhalen over de geschiedenis van de bouw van de Santa Maria del Fiore."
  • "Describes how a fifteenth-century goldsmith and clockmaker, Filippo Brunelleschi, came up with a unique design for the dome to crown Florence's magnificent new cathedral, Santa Maria del Fiore."@en
  • "Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder we continue to marvel at today. Denounced at first as a madman, Brunelleschi was celebrated at the end as a genius. He engineered the perfect placement of brick and stone, built ingenious hoists and cranes (among some of the most renowned machines of the Renaissance) to carry an estimated 70 million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction--all the while defying those who said the dome would surely collapse and his own personal obstacles that at times threatened to overwhelm him. This drama was played out amid plagues, wars, political feuds, and the intellectual ferments of Renaissance Florence-- events Ross King weaves into the story to great effect, from Brunelleschi's bitter, ongoing rivalry with the sculptor Lorenzo Ghiberti to the near capture of Florence by the Duke of Milan. King also offers a wealth of fascinating detail that opens windows onto fifteenth-century life: the celebrated traditions of the brickmaker's art, the daily routine of the artisans laboring hundreds of feet above the ground as the dome grew ever higher, the problems of transportation, the power of the guilds. Even today, in an age of soaring skyscrapers, the cathedral dome of Santa Maria del Fiore retains a rare power to astonish. Ross King brings its creation to life in a fifteenth-century chronicle with twenty-first-century resonance."
  • "Anyone alive in Florence on August 19, 1418, would have understood the significance of the competition announced that day concerning the city's magnificent new cathedral, Santa Maria del Fiore, already under construction for more than a century. "Whoever desires to make any model or design for the vaulting of the main Dome ... shall do so before the end of the month of September". The proposed dome was regarded far and wide as all but impossible to build, due not only to its enormous size but also because its original and sacrosanct design eschewed the flying buttresses that supported cathedrals all over Europe. The dome would literally need to be erected over thin air. Of the many plans submitted, one stood out -- a daring and unorthodox solution to vaulting the largest dome (143 feet in diameter) in the world. It was offered not by a master mason or carpenter, but by a goldsmith and clock maker named Filippo Brunelleschi, then 41, who would dedicate the next 28 years to solving the puzzles of the dome's construction. Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder. Denounced at first as a madman, he was celebrated as a genius upon erecting the dome. He engineered the perfect placement of brick and stone and built ingenious hoists and cranes (some among the most renowned machines of the Renaissance) to carry an estimated 70 million pounds hundreds of feet into the air -- all the while defying those who said the dome would surely collapse and tackling personal obstacles that at times threatened to overwhelm him. This drama was played out amidst plagues, wars, political feuds, and the intellectual ferments of Renaissance Florence -- events Ross King weaves into the story to great effect, from Brunelleschi's bitter, ongoing rivalry with the sculptor Lorenzo Ghiberti to the near capture of Florence by the Duke of Milan. He also offers a wealth of fascinating detail that opens windows into fifteenth-century life: the celebrated traditions of the brickmaker's art, the daily routine of the artisans laboring hundreds of feet above the ground as the dome grew ever higher, the problems of transportation, and the power of the guilds. Even today, in an age of soaring skyscrapers, the cathedral dome of Santa Maria del Fiore retains a rare power to astonish. Ross King brings its creation to life in a fifteenth-century chronicle with twenty-first-century resonance. Novelist Ross King offers an account of the remarkable design and construction of the largest dome in the world (even today): the dome of Santa Maria del Fiore in Florence, Italy. Reading with the excitement of a good novel, the book focuses on the innovative techniques used and the social and political context in which its architect worked. Annotation c. Book News, Inc., Portland, OR (booknews.com)"
  • "Anyone alive in Florence on August 19, 1418, would have understood the significance of the competition announced that day concerning the city's magnificent new cathedral, Santa Maria del Fiore, already under construction for more than a century. "Whoever desires to make any model or design for the vaulting of the main Dome ... shall do so before the end of the month of September". The proposed dome was regarded far and wide as all but impossible to build, due not only to its enormous size but also because its original and sacrosanct design eschewed the flying buttresses that supported cathedrals all over Europe. The dome would literally need to be erected over thin air. Of the many plans submitted, one stood out -- a daring and unorthodox solution to vaulting the largest dome (143 feet in diameter) in the world. It was offered not by a master mason or carpenter, but by a goldsmith and clock maker named Filippo Brunelleschi, then 41, who would dedicate the next 28 years to solving the puzzles of the dome's construction. Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder. Denounced at first as a madman, he was celebrated as a genius upon erecting the dome. He engineered the perfect placement of brick and stone and built ingenious hoists and cranes (some among the most renowned machines of the Renaissance) to carry an estimated 70 million pounds hundreds of feet into the air -- all the while defying those who said the dome would surely collapse and tackling personal obstacles that at times threatened to overwhelm him. This drama was played out amidst plagues, wars, political feuds, and the intellectual ferments of Renaissance Florence -- events Ross King weaves into the story to great effect, from Brunelleschi's bitter, ongoing rivalry with the sculptor Lorenzo Ghiberti to the near capture of Florence by the Duke of Milan. He also offers a wealth of fascinating detail that opens windows into fifteenth-century life: the celebrated traditions of the brickmaker's art, the daily routine of the artisans laboring hundreds of feet above the ground as the dome grew ever higher, the problems of transportation, and the power of the guilds. Even today, in an age of soaring skyscrapers, the cathedral dome of Santa Maria del Fiore retains a rare power to astonish. Ross King brings its creation to life in a fifteenth-century chronicle with twenty-first-century resonance. Novelist Ross King offers an account of the remarkable design and construction of the largest dome in the world (even today): the dome of Santa Maria del Fiore in Florence, Italy. Reading with the excitement of a good novel, the book focuses on the innovative techniques used and the social and political context in which its architect worked. Annotation c. Book News, Inc., Portland, OR (booknews.com)."
  • "Anyone alive in Florence on August 19, 1418, would have understood the significance of the competition announced that day concerning the city's magnificent new cathedral, Santa Maria del Fiore, already under construction for more than a century. "Whoever desires to make any model or design for the vaulting of the main Dome ... shall do so before the end of the month of September". The proposed dome was regarded far and wide as all but impossible to build, due not only to its enormous size but also because its original and sacrosanct design eschewed the flying buttresses that supported cathedrals all over Europe. The dome would literally need to be erected over thin air. Of the many plans submitted, one stood out -- a daring and unorthodox solution to vaulting the largest dome (143 feet in diameter) in the world. It was offered not by a master mason or carpenter, but by a goldsmith and clock maker named Filippo Brunelleschi, then 41, who would dedicate the next 28 years to solving the puzzles of the dome's construction. Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder. Denounced at first as a madman, he was celebrated as a genius upon erecting the dome. He engineered the perfect placement of brick and stone and built ingenious hoists and cranes (some among the most renowned machines of the Renaissance) to carry an estimated 70 million pounds hundreds of feet into the air -- all the while defying those who said the dome would surely collapse and tackling personal obstacles that at times threatened to overwhelm him. This drama was played out amidst plagues, wars, political feuds, and the intellectual ferments of Renaissance Florence -- events Ross King weaves into the story to great effect, from Brunelleschi's bitter, ongoing rivalry with the sculptor Lorenzo Ghiberti to the near capture of Florence by the Duke of Milan. He also offers a wealth of fascinating detail that opens windows into fifteenth-century life: the celebrated traditions of the brickmaker's art, the daily routine of the artisans laboring hundreds of feet above the ground as the dome grew ever higher, the problems of transportation, and the power of the guilds. Even today, in an age of soaring skyscrapers, the cathedral dome of Santa Maria del Fiore retains a rare power to astonish. Ross King brings its creation to life in a fifteenth-century chronicle with twenty-first-century resonance. Novelist Ross King offers an account of the remarkable design and construction of the largest dome in the world (even today): the dome of Santa Maria del Fiore in Florence, Italy. Reading with the excitement of a good novel, the book focuses on the innovative techniques used and the social and political context in which its architect worked. Annotation c. Book News, Inc., Portland, OR (booknews.com)."@en
  • "Story of the greatest engineering puzzle of the Renaissance and one of the world's architectural marvels."@en
  • "By all accounts, Filippo Brunelleschi, goldsmith and clockmaker, was an unkempt, cantankerous, and suspicious man-even by the generous standards according to which artists were judged in fifteenth-century Florence. He also designed and erected a dome over the cathedral of Santa Maria del Fiore-a feat of architectural daring that we continue to marvel at today-thus securing himself a place among the most formidable geniuses of the Renaissance. At first denounced as a madman, Brunelleschi literally reinvented the field of architecture amid plagues, wars, and political feuds to raise seventy million pounds of metal, wood, and marble hundreds of feet in the air."@en
  • "Tells the story of how fifteenth-century goldsmith and clock maker Filippo Brunelleschi devised the plan to build the dome of the Santa Maria del Fiore cathedral in Florence, an engineering feat that had puzzled architects for over a century."
  • "Even in an age of soaring skyscrapers and cavernous sports stadiums, the cathedral of Santa Maria del Fiore in Florence, with its immense, terracotta-tiled cupola, still retains a rare power to astonish. Yet the elegance of the building belies the tremendous labour, technical ingenuity and bitter personal strife involved in its creation. For over a century after work on the cathedral began in 1296, the proposed dome was regarded as all but impossible to build because of its enormous size. The greatest architectural puzzle of its age, when finally completed in 1436 the dome was hailed as one of the great wonders of the world. To this day, it remains the highest and widest masonry dome ever built. This book tells the extraordinary story of how the cupola was raised, from its conception to its consecration. Also told is the story of the dome's architect, the brilliant and volatile Filippo Brunelleschi. Denounced as a madman at the start of his labours, he was celebrated at their end as a great genius. His life was one of ambition, ingenuity, rivalry and intrigue - a human drama set against the plagues, wars, political feuds and intellectual ferments of Renaissance Florence, the glorious era for which the dome remains the most compelling symbol."@en
  • "In the city of Florence, Italy, in 1418, a competition was announced to design the dome for the Santa Maria del Fiore cathedral, considered all but impossible to build. Of the many plans submitted, the one offered by goldsmith and clock maker Filippo Brunelleschi stood out; he spent the next twenty-eight years solving the puzzle of the dome's construction, and in the process reinvented the field of architecture."

http://schema.org/genre

  • "Large type books"@en
  • "Large type books"
  • "biografier"
  • "Electronic books"@en
  • "Electronic books"
  • "History"@en

http://schema.org/name

  • "Brunelleschi's dome : the story of the great cathedral in Florence"
  • "Brunelleschi's dome : the story of the great cathedral in Florence"@en
  • "Brunelleschi's dome the story of the great cathedral in Florence"@en
  • "Brunelleschi's dome the story of the great cathedral in Florence"
  • "Das Wunder von Florenz : Architektur und Intrige: Wie die schönste Kuppel der Welt entstand"
  • "Brunelleschi's dome How a Renaissance Genius Reinvented Architecture"@en
  • "De koepel van Brunelleschi : het verhaal van de dom van Florence"
  • "Brunelleschi's dome : How a renaissance genius reinvented architecture"
  • "Yuan ding de gu shi : wen yi fu xing jian zhu shi de yi ye zhuan qi = Brunelleschi's dome : the story of the great cathedral in Florence"
  • "Die Koepel van Brunelleschi : het verhaal van de dom van Florence"
  • "ha-Kipah shel Brunelesḳi : sipur ha-katadrelah ha-gedolah shel Firentsah"
  • "Brunelleschi's dome : how a Renaissance genius reinvented architecture"@es
  • "Brunelleschi's dome : how a Renaissance genius reinvented architecture"@en
  • "Brunelleschi's dome : how a Renaissance genius reinvented architecture"
  • "Brunelleschi's Dome : the story of the Great Cathedral in Florence"
  • "Brunelleschi's Dome : how a Renaissance genius reinvented architecture"
  • "Brunelleschi's Dome"@en
  • "圓頂的故事 : 文藝復興建築史的一頁傳奇"
  • "圓頂的故事 : 文藝復興建築史的一頁傳奇 = Brunelleschi's dome : the story of the great cathedral in Florence"
  • "Yuan ding de gu shi : Wen yi fu xing jian zhu shi de yi ye chuan qi"
  • "Yuan ding de gu shi : wen yi fu xing jian zhu shi shang de jing tian qi di de yi ye chuan qi"
  • "Das Wunder von Florenz : Architektur und Intrige: wie die schönste Kuppel der Welt entstand"
  • "圆顶的故事 : 文艺复兴建筑史上的惊天泣地的一页传奇"
  • "Das Wunder von Florenz Architektur und Intrige: wie die schönste Kuppel der Welt entstand"
  • "La cupola di Brunelleschi"
  • "Brunelleschi's dome : how Renaissance genius reinvented architecture"
  • "La cúpula de Brunelleschi : historia de la gran catedral de Florencia"
  • "La cúpula de Brunelleschi : historia de la gran catedral de Florencia"@es
  • "La Cúpula de Brunelleschi : historia de la gran catedral de Florencia"
  • "Brunelleschi's Dome : the story of the great cathedral in Florence"
  • "Das Wunder von Florenz : Architektur und Intrige : wie die schönste Kuppel der Welt entstand"
  • "Brunelleschi's dome how a Renaissance genius reinvented architecture"
  • "Yuan ding de gu shi : wen yi fu xing jian zhu shi de yi ye chuan qi"

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