"The images in this work of photofiction are a visual commentary on the contemporary American West and what Morris called "the transient ruins of [his] own culture." Architecture or other signs of man populate each photograph, yet all are devoid of the people that inhabit the landscape. Instead, the "inhabitants" appear on the facing page as elements in the accompanying fictional text. Morris' aim was to capture the lifestyle and landscape he recalled from his youth in Nebraska and that he saw dissolving around him."
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Sterling and Francine Clark Art Institute. Library
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