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Forgeries of Memory and Meaning Blacks and the Regimes of Race in American Theater and Film before World War II

Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive r.

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  • "Forgeries of memory & meaning"@en
  • "Forgeries of memory & meaning"

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  • "Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive r."@en

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  • "Forgeries of Memory and Meaning : Blacks and the Regimes of Race in American Theater and Film Before World War II"
  • "Forgeries of memory and meaning : Blacks and the regimes of race in American theater and film before World War II"
  • "Forgeries of Memory and Meaning Blacks and the Regimes of Race in American Theater and Film before World War II"@en
  • "Forgeries of memory and meaning : blacks and the regimes of race in American theater and film before World War II"
  • "Forgeries of memory and meaning : blacks and the regimes of race in American theater and film before World War 2"
  • "Forgeries of memory and meaning Blacks and the regimes of race in American theater and film before World War II"@en