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Composing for the films

This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films; while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialised culture; and, in this respect, it has a particular importance to the whole area of Cultural Studies.

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  • "This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films; while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialised culture; and, in this respect, it has a particular importance to the whole area of Cultural Studies."
  • "This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films; while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialised culture; and, in this respect, it has a particular importance to the whole area of Cultural Studies."@en
  • "First published in 1947 under Eisler's name only, this account of the nature of film music aesthetics has a wider scope as a study of modern, industrialized culture, as well as being relevant to the whole area of cultural studies."
  • "First published in 1947, this account of the nature of film music aesthetics has a wider scope as a study of modern, industrialized culture, as well as being relevant to the whole area of cultural studies."@en
  • "First published in 1947, this account of the nature of film music aesthetics has a wider scope as a study of modern, industrialized culture, as well as being relevant to the whole area of cultural studies."

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  • "Criticism, interpretation, etc"
  • "Music"
  • "Medienkombination"

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  • "Composing for the films : With a transl. of the postscript from the german language ed"
  • "Composing for the Films"
  • "Komposition für den Film"
  • "Komposition für den Film : mit Notenbeilagen"
  • "Composing for the films"
  • "Composing for the films"@en
  • "Composing for the films. [With musical notes.]"@en

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