"Sociologische aspecten." . . "Cinéma et musique." . . "Filmmusik." . . "Filmmusik" . "Geschichte 1940-1942." . . "Musica per cinematografo." . . "Muziek." . . . . . . . . . . "Criticism, interpretation, etc" . . . . . . . . . . . . . . . . . . "Composing for the films : With a transl. of the postscript from the german language ed" . . . . . . . "Adorno & Eisler" . . . . . . . "This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films; while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialised culture; and, in this respect, it has a particular importance to the whole area of Cultural Studies." . "This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films; while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialised culture; and, in this respect, it has a particular importance to the whole area of Cultural Studies."@en . . . . . . "First published in 1947 under Eisler's name only, this account of the nature of film music aesthetics has a wider scope as a study of modern, industrialized culture, as well as being relevant to the whole area of cultural studies." . "Composing for the Films" . . . . . "Komposition für den Film" . . . . . . . . . . . . . . "Komposition für den Film : mit Notenbeilagen" . . . . . . "First published in 1947, this account of the nature of film music aesthetics has a wider scope as a study of modern, industrialized culture, as well as being relevant to the whole area of cultural studies." . . "First published in 1947, this account of the nature of film music aesthetics has a wider scope as a study of modern, industrialized culture, as well as being relevant to the whole area of cultural studies."@en . . . . . "Composing for the films"@en . . . . . . . . . "Composing for the films" . . . . . . "Music" . . . . "Medienkombination" . . . . . . . . "Composing for the films. [With musical notes.]"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Motion picture music Instruction and study." . . "Música en el cine." . . "Composition (Musique)" . . "Accompagnement (Musique)" . . "MUSIC, FILM" . . "Musique de film." . . "Muzyka filmowa historia i krytyka." . . "Moving-picture, Musical." . . . . "Esthetica." . . "Filmmuziek." . . "Film, Musique de Étude et enseignement." . . "Ästhetik." . . "1900 - 1999" . . "Filmtheorie." . . "Techniek." . . "Música Cinematográfica." . . "Musical films." . . "musique de film - théorie." . . "Film." . . "Musical accompaniment." . . "Composition (Music)" . .