Linked Data Explorer

"Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers all the workflows you are likely to encounter. Efficient working practices are emphasized throughout, so you learn to save time and avoid needless repetition. Many dialogue editors are hobbled by a lack of understanding of the nonsound aspects of filmmaking. Unlike editors who cut effects, backgrounds or Foley, a dialogue editor's work is directly affected by what has gone on before. How a film was shot, recorded and edited will dramatically influence the dialogue editing process. Much of this book, then, deals with things which at first glance don't appear to be dialogue. You will find overviews of film picture and sound postproductionfilm, tape, NTSC, PAL, 24p, and HD. There are summaries of film picture editing, OMF manipulation, and ADR management. * A veteran sound editor shows you how to produce a flawless dialogue track * Covers organization and time management so you can work efficiently * Musthave information for sound editors, dialogue editors, and assistant editors * Foreword by Dominick Tavella, who mixes films in New York (some of his films include: Chocolat, Far and Away, Vanity Fair, and Chicago)"
""In Dialogue Editing for Motion Pictures, Second Edition veteran film sound editor John Purcell arms you with classic as well as cutting-edge practices to effectively edit dialogue for film, TV, and video. This new edition offers: - A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing - Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box"--Fresh approaches to working with digital video and to moving projects from one workstation to another - An insider's analysis of what happens on the set, and how that affects the dialogue editor - Discussions about the interweaving histories of film sound technology and film storytelling - Eye-opening tips, tricks, and insights from film professionals around the globe - A companion website (www.focalpress.com/cw/purcell) with project files and video examples demonstrating editing techniques discussed in the book Don't allow your dialogue to become messy, distracting, and uncinematic! Do dialogue right with John Purcell's all-inclusive guide to this essential yet invisible art"--"@en
""In Dialogue Editing for Motion Pictures, Second Edition veteran film sound editor John Purcell arms you with classic as well as cutting-edge practices to effectively edit dialogue for film, TV, and video. This new edition offers: - A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing - Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box"--Fresh approaches to working with digital video and to moving projects from one workstation to another - An insider's analysis of what happens on the set, and how that affects the dialogue editor - Discussions about the interweaving histories of film sound technology and film storytelling - Eye-opening tips, tricks, and insights from film professionals around the globe - A companion website (www.focalpress.com/cw/purcell) with project files and video examples demonstrating editing techniques discussed in the book Don't allow your dialogue to become messy, distracting, and uncinematic! Do dialogue right with John Purcell's all-inclusive guide to this essential yet invisible art"--"
""In Dialogue Editing for Motion Pictures, Second Edition veteran film sound editor John Purcell arms you with classic as well as cutting-edge practices to effectively edit dialogue for film, TV, and video. This new edition offers: - A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing - Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box"--Fresh approaches to working with digital video and to moving projects from one workstation to another - An insider's analysis of what happens on the set, and how that affects the dialogue editor - Discussions about the interweaving histories of film sound technology and film storytelling - Eye-opening tips, tricks, and insights from film professionals around the globe - A companion website (www.focalpress.com/cw/purcell) with project files and video examples demonstrating editing techniques discussed in the book Don't allow your dialogue to become messy, distracting, and uncinematic! Do dialogue right with John Purcell's all-inclusive guide to this essential yet invisible art"--..."
""In Dialogue Editing for Motion Pictures, Second Edition veteran film sound editor John Purcell arms you with classic as well as cutting-edge practices to effectively edit dialogue for film, TV, and video. This new edition offers: - A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing - Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box" - Fresh approaches to working with digital video and to moving projects from one workstation to another - An insider's analysis of what happens on the set, and how that affects the dialogue editor - Discussions about the interweaving histories of film sound technology and film storytelling - Eye-opening tips, tricks, and insights from film professionals around the globe - A companion website (www.focalpress.com/cw/purcell) with project files and video examples demonstrating editing techniques discussed in the book Don't allow your dialogue to become messy, distracting, and uncinematic! Do dialogue right with John Purcell's all-inclusive guide to this essential yet invisible art"--"
"Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers all the workflows you are likely to encounter. Efficient working practices are emphasized throughout, so you learn to save time and avoid needless repetition.Many dialogue editors are hobbled by a lack of understanding of the non-sound aspects of filmmaking. Unlike editors who cut effects, backgrounds or Foley, a dialogue editor's work is directly affected by what has gone on before. How a film was shot, recorded and edited will dramatically influence the dialogue editing process. Much of this book, then, deals with things which at first glance don't appear to be dialogue. You will find overviews of film picture and sound postproduction--film, tape, NTSC, PAL, 24p, and HD. There are summaries of film picture editing, OMF manipulation, and ADR management."
"Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers all the workflows you are likely to encounter. Efficient working practices are emphasized throughout, so you learn to save time and avoid needless repetition. Many dialogue editors are hobbled by a lack of understanding of the non-sound aspects of filmm."@en
"Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers all the workflows you are likely to encounter. Efficient working practices are emphasized throughout, so you learn to save time and avoid needless repetition. Many dialogue editors are hobbled by a lack of understanding of the non-sound aspects of filmmaking. Unlike editors who cut effects, backgrounds or Foley, a dialogue editor's work is directly affected by what has gone on before. How a film was shot, recorded and edited will dramatically influence the dialogue editing process. Much of this book, then, deals with things which at first glance don't appear to be dialogue. You will find overviews of film picture and sound postproduction--film, tape, NTSC, PAL, 24p, and HD. There are summaries of film picture editing, OMF manipulation, and ADR management. * A veteran sound editor shows you how to produce a flawless dialogue track * Covers organization and time management so you can work efficiently * Must-have information for sound editors, dialogue editors, and assistant editors."
"Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers all the workflows you are likely to encounter. Efficient working practices are emphasized throughout, so you learn to save time and avoid needless repetition. Many dialogue editors are hobbled by a lack of understanding of the non-sound aspects of filmmaking. Unlike editors who cut effects, backgrounds or Foley, a dialogue editor's work is directly affected by what has gone on before. How a film was shot, recorded and edited will dramatically influence the dialogue editing process. Much of this book, then, deals with things which at first glance don't appear to be dialogue. You will find overviews of film picture and sound postproduction--film, tape, NTSC, PAL, 24p, and HD. There are summaries of film picture editing, OMF manipulation, and ADR management. * A veteran sound editor shows you how to produce a flawless dialogue track * Covers organization and time management so you can work efficiently * Must-have information for sound editors, dialogue editors, and assistant editors."@en

genre

http://schema.org/genre

"Llibres electrònics"
"Electronic books"@en
"Electronic books"
"Livres électroniques"

name

http://schema.org/name

"Dialogue editing for motion picture+"@en
"Dialogue editing for motion picture+"
"Dialogue editing for motion pictures a guide to the invisible art"@en
"Dialogue editing for motion pictures a guide to the invisible art"
"Dialogue Editing for Motion Pictures a Guide to the Invisible Art"@en
"Dialogue Editing for Motion Pictures A Guide to the Invisible Art"
"Dialogue editing for motion pictures : a guide to the invisible art"@en
"Dialogue editing for motion pictures : a guide to the invisible art"
"Dialogue editing for motion pictures [electronic resource]"@en

workExample

http://schema.org/workExample