"Slaughter on Tenth Avenue (Choreographic work : Balanchine)" . . "Robert Schumann's Davidsbündlertänze (Choreographic work : Balanchine)" . . "Tzigane (Choreographic work : Balanchine)" . . "Concerto barocco (Choreographic work : Balanchine)" . . . "Suzanne Farrell : elusive muse"@en . . "This Academy Award-nominated documentary eloquently weaves together vintage and extraordinary never-before-seen archival clips of Suzanne Farrell's radiant performances of Balanchine ballets with the compelling and bitter-sweet love story between Farrell and Balanchine." . "This Academy Award-nominated documentary eloquently weaves together vintage and extraordinary never-before-seen archival clips of Suzanne Farrell's radiant performances of Balanchine ballets with the compelling and bitter-sweet love story between Farrell and Balanchine."@en . "Profile of the ballerina Suzanne Farrell, most of it told in her own words, focusing on her complex and often troubled professional and private relationship with choreographer George Balanchine. She describes their collaboration, beginning with Movements for piano and orchestra (1963) in which she replaced Diana Adams as creator of the principal female role. Among the major ballets by Balanchine that she created or danced in the 1960s are Meditation; Apollo; Don Quixote, in which Balanchine performed the title role; A midsummer night's dream; and Slaughter on Tenth Avenue. Farrell discusses her marriage to dancer Paul Mejia, which led to a break with Balanchine and her departure from New York City Ballet in 1970; her engagement with Maurice Béjart's Ballet du XXe Siècle; and her return to New York City Ballet in 1974. She discusses Tzigane, the first ballet Balanchine created for her upon her return; her partnership with dancer Peter Martins; and the ballets Robert Schumann's Davidsbündlertänze, Vienna Waltzes and Mozartiana. In conclusion, she talks about her reactions to Balanchine's death, her retirement from performing, and her role in preserving his legacy by teaching and staging his ballets. Additional insights are provided by her mother, Donna Holly; Mejia; Jacques d'Amboise, Arthur Mitchell, Edward Villella, and Béjart. The documentary is profusely illustrated with excerpts of her past performances, and footage of her rehearsing various dancers in ballets from the Balanchine repertory." . "Feature films"@en . . "Profile of the ballerina Suzanne Farrell, most of it told in her own words, focusing on her complex and often troubled professional and private relationship with choreographer George Balanchine. She describes their collaboration, beginning with Movements for piano and orchestra (1963) in which she replaced Diana Adams as the creator of the principal female role. Among the major ballets by Balanchine that she created or danced in the 1960s are Meditation; Apollo; Don Quixote, in which Balanchine performed the title role; A midsummer night's dream; and Slaughter on Tenth Avenue. Farrell discusses her marriage to dancer Paul Mejia, which led to a break with Balanchine and her departure from the New York City Ballet in 1970; her engagement with Maurice Béjart's Ballet du XXe Siècle; and her return to the New York City Ballet in 1974. She discusses Tzigane, the first ballet Balanchine created for her upon her return; her partnership with dancer Peter Martins; and the ballets Robert Schumann's Davidsbündlertänze and Mozartiana. In conclusion, she describes her reactions to Balanchine's death and her role in preserving his legacy by teaching and staging his ballets. Additional insights are provided by her mother, Donna Holly; Paul Mejia; and Jacques d'Amboise, Arthur Mitchell, Edward Villella, and Maurice Béjart. The documentary is profusely illustrated with excerpts of Farrell's past performances, and footage of her" . . . . . . . "Suzanne Ferrell, elusive muse" . . . . . . . . . . . "Documentary films"@en . . . . "Interviews" . . . . . . . . . "Biography" . . "Biography"@en . . . "Suzanne Farrell, elusive muse" . . . "Video" . "Documentaries and factual films and programs" . . . . "Dance" . . . . . . . . . . . . . . . "Dance films"@en . "Ballet films"@en . . . . . . . . . . "Biographies" . . . "Elusive muse" . "Autobiographical films and programs" . "Elusive muse"@en . "Suzanne Farrell elusive muse" . "Suzanne Farrell elusive muse"@en . . . . . . . . . . . . . . . . "Suzanne Farrell discusses her career with the New York City Ballet and her relationship with mentor George Balanchine. Includes performance footage and interviews with colleagues."@en . . . . . . . . . . . . "Biographical films"@en . . . . . . . . . . . . . . "Biographie (Descripteur de forme)" . . . . . "This Academy Award-nominated documentary weaves together vintage and never-before-seen archival clips of Suzanne Farrell's performances of Balanchine ballets with interviews that tell the bitter-sweet love story between Farrell and Balanchine." . . "Ce documentaire retrace avec beaucoup d'éloquence la carrière de Suzanne Farrell dans les ballets de Balanchine à l'aide de films d'archives inédits et s'attarde aussi à leur douce-amère histoire d'amour." . . . "Nonfiction films"@en . . . . . "This documentary eloquently weaves together vintage and extraordinary never-before-seen archival clips of Suzanne Farrell's radiant performances of Balanchine ballets with the compelling and bitter-sweet love story between Farrell and Balanchine." . . . . . "Monumentum pro Gesualdo (Choreographic work : Balanchine)" . . "Meditation (Choreographic work : Balanchine)" . . "Romeo and Juliet (Choreographic work : Béjart)" . . "Movements for piano and orchestra (Choreographic work : Balanchine)" . . . . "Scotch symphony (Choreographic work : Balanchine)" . . "Fox Lorber CentreStage (Firme)" . . "Mozartiana (Choreographic work : Balanchine)" . . "Apollo (Choreographic work : Balanchine)" . . "Midsummer night's dream (Choreographic work : Balanchine)" . . "Chaconne (Choreographic work : Balanchine)" . . "1900 - 1999" . . "Jewels (Choreographic work : Balanchine)" . . "Don Quixote (Choreographic work : Balanchine)" . . "WinStar TV and Video (Firme)" . .