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"Deux jeunes activistes, Émile Rousseau et Patricia Lumumba, se rencontrent chaque soir dans un studio de télévision où ils discutent de problèmes philosophiques et politiques. À l'aube de chaque jour ils se séparent pour poursuivre leurs activités révolutionnaires, elle dans le monde ouvrier, lui dans le milieu étudiant. Ils s'interrogent sur la nature du langage et sur les modifications à y apporter pour en faire un instrument de la révolution."
"Lotte in Italia: A radical Italian young woman attempts to reconcile her ideology with her bourgeois life. Made in conjunction with the radical film collective Groupe Dziga Vertov."
"Luttes en italie: "The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology". IMDB."
"Film satirique. Les activistes Émile Rousseau et Patricia Lumumba se rencontrent tous les jours dans un studio de télévision et s'interrogent sur les images et les sons en rapport avec leur philosophie politique. Ils évoquent une théorie du cinéma qui prendrait en considération la cause du peuple et conduirait à la pratique révolutionnaire. Avec Jean-Pierre Léaud et Juliet Berto."
"Les activistes Émile Rousseau et Patricia Lumumba se rencontrent tous les jours dans un studio de télévision et s'interrogent sur les images et les sons en rapport avec leur philosophie politique. Ils évoquent une théorie du cinéma qui prendrait en considération la cause du peuple et conduirait à la pratique révolutionnaire."
"Le gai savoir: "How do we learn? What do we know? Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to revolution. Scenes of Paris' student revolt, the Vietnam War, and other events of the late 1960s, along with posters, photographs and cartoons, are backdrops to their words. Words themselves are often Patricia and Emile's subject, as are images, sounds and juxtapositions. In addition to the two characters' musings, the soundtrack includes narration, music, news clips, and noise. The result is a montage, a meditation and a reflection on ideas, and how words and images mix - and how filmmaking is a path". IMDB."
"Emile and Patricia stumble across each other in an abandoned TV studio. They meet for 7 nights to carry out a 3-year plan to create a new cinema. The plan results in a parade of sounds and images, while Emile, Patricia, and Godard (as the narrator) comment on the film which is being created, taken apart, and assembled in front of the viewer."
"Le gai savoir: Emile and Patricia stumble across each other in an abandoned TV studio. They meet for 7 nights to carry out a 3-year plan to create a new cinema. The plan results in a parade of sounds and images, while Emile, Patricia, and Godard (as the narrator) comment on the film which is being created, taken apart, and assembled in front of the viewer. Made in conjunction with the radical film collective Groupe Dziga Vertov."
"Godard's film about language is a modern interpretation of Jean-Jacques Rousseau's Emile, a treatise on education in the style of a novel. The film is a colorful attack on the ways in which western society has poisoned its language by imbuing words with subtle meanings and built-in preconceptions which determine our actions. The filmmaker's protagonists are a young man and woman who meet in a television studio and conduct a dialogue illustrated by comic strips, interviews, street signs, outrageous printed puns and dozens of other devices. The film is a pure expression of cinema without conventional narrative plot, characters, and theme. (Does not circulate)."