Orlando di lasso's imitation magnificats for counter-reformation munich

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"After the Mass Ordinary, the Magnificat was the liturgical text most frequently set by Renaissance composers, and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of European music. In the first detailed investigation of this repertory, David Crook focuses on the forty parody or imitation Magnificats, which Lasso based on preexistent motets, madrigals, and chansons written by numerous composers, including Josquin and Rore."

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"Criticism, interpretation, etc"
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"Orlando di lasso's imitation magnificats for counter-reformation munich"@en
"Orlando di Lasso's : imitation magnificats for counter-reformation : Munich"
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"Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich"@en
"Orlando di Lasso's imitation magnificats for counter-reformation munich"
"Orlando di Lasso's imitation Magnificats for counter-reformation Munich"
"Orlando di Lasso's imitation magnificats for counter-reformation Munich"

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Magnificat

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Magnificats (Lasso, Orlando di)

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Magnifikat.

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1500 - 1599

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Deutschland.

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Germany

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München.

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"München."

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Chormusik.

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