Deepwater Vee began as a meditation on the rivers I have worked on as a wilderness guide--the Nahanni, the Thelon, the Burnside, the Tatshenshini / Alsek, and others. The lyric poems take wobbly bearings and try to track the phenomenal world. This collection of nature poetry also considers two of Canada's most threatened waterways--the Athabasca, which runs through the heart of the Alberta tar sands, and the North Saskatchewan, the river that ran by my home but which I had never paddled until recently, a river stressed by dams and upgraders, sewage and pesticides. These rivers push the poems into a contemplation of loss and into the terrain of AlexanderMacKenzie's dreams, a busker's street riffs and the imagined wanderings of a grandmother who returns to inhabit the earth.
"Melanie Siebert's stunning debut collection travels remote northern rivers, as well as two of Canada's most threatened rivers, the Athabasca and the North Saskatchewan. These rivers push the poems into a contemplation of loss and into the terrain of Alexander Mackenzie's dreams, a busker's broken-down street riffs, and the borderland wanderings of a grandmother whose absence is felt as a presence. The poems' currents are turbulent, braided, submerged. Narrative streams appear like tributaries glimpsed through brush, and then veer into unexpected territories, where boundaries blur ' between the self and the other, between the living and the dead, between the human and the wild ' and loss carries with it both music and silence. In this virtuoso collection, Melanie Siebert has transformed language into that rarest thing, a singular poetic vision. From the Trade Paperback edition."
"Deepwater Vee began as a meditation on the rivers I have worked on as a wilderness guide--the Nahanni, the Thelon, the Burnside, the Tatshenshini / Alsek, and others. The lyric poems take wobbly bearings and try to track the phenomenal world. This collection of nature poetry also considers two of Canada's most threatened waterways--the Athabasca, which runs through the heart of the Alberta tar sands, and the North Saskatchewan, the river that ran by my home but which I had never paddled until recently, a river stressed by dams and upgraders, sewage and pesticides. These rivers push the poems into a contemplation of loss and into the terrain of AlexanderMacKenzie's dreams, a busker's street riffs and the imagined wanderings of a grandmother who returns to inhabit the earth."@en
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