"China." . . "Chinois (Langue) Écriture." . . "Chinois (langue) Écriture." . "Chinois (langue) Ecriture." . "Gedichten." . . "Literatura Estètica." . . "Scrittura cinese." . . "Gramática comparada y general." . . "Poesia xinesa." . . "Poesia xinesa" . "Caligrafía." . . "Fenollosa, Ernest." . . "Poésie." . . "Literatura Filosofia." . . "Language and languages." . . "Écriture chinoise." . . "Chinois (Langue)" . . "Poesía china Historia y crítica." . . "Chinesische Schrift." . . "Grammaire comparée et générale." . . "Poétique." . . "Sprache Einz. Sprachen." . . . "The Chinese written Character as a medium for poetry" . . . . . . . . . "First published in 1919 by Ezra Pound, Ernest Fenollosa?s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound?s understanding?it is fair to say, his appropriation?of the text. Fenollosa?s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. --Fordham University PressScholarly edition that combines the first full publication of Fenollosa's essay as he wrote it, along with the 1919 version of the essay as altered by Ezra Pound. --The Chronicle of Higher Education."@en . . . . . "Le Caractère écrit chinois, matériau poétique" . . "The Chinese written character as a medium for poetry : an ars poetica"@en . "The Chinese written character as a medium for poetry : an ars poetica" . . . . . "Great digest"@en . . . . . "The Chinese Written Character as a Medium for Poetry ... Edited by Ezra Pound"@en . "Chinese written character as a medium for poetry"@it . "L'ideogramma cinese come mezzo di poesia : Una ars poetica" . . . . . . . . . . . . . . "Electronic books"@en . "Le caractère écrit chinois, matériau poétique" . "The Chinese written character as a medium for poetry. Edited by Exra Pound" . . . . . . "The Chinese written Character as a Medium for poetry : an ars poetica" . "Electronic resource"@en . . . . . . . . . . . . . "The Chinese written character as a medium for poetry : with offset of the Calcutta edition of Pivot" . "The Chinese written character as a medium for poetry : with offset of the Calcutta edition of Pivot"@en . . "The Chinese Written Character as a Medium for Poetry ... An Ars poetica. With a foreword and notes by Ezra Pound"@en . . "First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound's understanding--it is fair to say, his appropriation--of the text. Fenollosa's manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound's editing of the essay obscured two important features, here restored to view: Fenollosa's encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa's important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound's deletions, insertions, and alterations to Fenollosa's sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa's ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry."@en . . "Poetry"@en . . . . . . "The Chinese written character as a medium for poetry" . "The Chinese written character as a medium for poetry"@en . "The Chinese Written Character as a Medium For Poetry" . . . . . . . . . . . . "Criticism, interpretation, etc"@es . "Criticism, interpretation, etc" . "Criticism, interpretation, etc"@en . . . . . . . . . . . . . "The chinese written character as a medium for poetry" . . . "Le Caractère écrit chinois matériau poétique" . . . "The Chinese Written Character as a Medium for Poetry a Critical Edition"@en . "First published in 1919 by Ezra Pound, Ernest Fenollosa?s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound?s understanding?it is fair to say, his appropriation?of the text. Fenollosa?s manuscripts, in the Beinec."@en . . . . "El Carácter de la escritura china como medio poético" . . . . . . "El Caràcter de la escritura China como medio poético"@es . . . . . "Unwobbling pivot"@en . . . . . "First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound's understanding--it is fair to say, his appropriation--of the text. Fenollosa's manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia. Pound's editing of the essay obscured two important features, here restored to view: Fenollosa's encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa's important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound's deletions, insertions, and alterations to Fenollosa's sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa's ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry."@en . . . . "Pivot"@en . . . . . . . . "Livres électroniques" . . . "El carácter de la escritura china como medio poético"@es . "Le Caractere ecrit chinois materaiau poetique" . . "El carácter de la escritura china como medio poético" . "The Chinese Written Character as a Medium for Poetry: A Critical Edition"@en . . . "El caracter de la escritura china como medio poético"@ca . . "The Chinese Written Character As A Medium For Poetry a Critical Edition"@en . . . . . . . . . . . . . . . . . . . . . "The Chinese written character as a medium for poetry : a critical edition"@en . . . . "The Chinese written character as a medium for poetry : a critical edition" . . . . "Xin" . . . . . . . . . . "L'ideogramma cinese come mezzo di poesia : una ars poetica" . . . "L'ideogramma cinese come mezzo di poesia : una ars poetica"@it . . . "El carácter de la escritura China como medio poético" . . . . . . . . "Das chinesische Schriftzeichen als poetisches Medium" . . . . . "The Chinese written character as a medium for poetry : a critical ed" . "The Chinese written character as a medium for poetry a critical edition" . "The Chinese written character as a medium for poetry a critical edition"@en . . "The Chinese written character as a medium for poetry, with offset of the Calcutta edition of Pivot"@en . "The Chinese written character as a medium for poetry : with offset of the Calcutta ed. of the Pivot"@en . . "L'ideogramma cinese come mezzo di poesia una ars poetica" . "The Chinese written character as a medium for poetry, with offset of the Calcutta edition of the Pivot"@en . . . . . . . "新" . . . . . "REFERENCE / Writing Skills" . . "China." . . "Grammar, Comparative and general." . . "Grammar, Comparative and general" . "Geschichte" . . "Geschichte." . "Literatură chineză." . . . . "Schriftzeichen." . . "Chinees schrift." . . "Lyrik." . . "Literature." . . "Japanisch." . . "Japanisch." . . "Square dollar series." . . "Poésie chinoise Histoire et critique." . . "Literatur." . . "écriture chinoise idéogramme poésie." . . "Xinès Retòrica." . . "Lengua china." . . "LITERARY CRITICISM Poetry." . . "LANGUAGE ARTS & DISCIPLINES / Rhetoric" . . "Schriftkunde." . . "Chinesisch." . . "Literatur Einz. Länder u. Völker." . . "Chinese poetry History and criticism." . . "Limba chineză Scriere." . . "Poésie visuelle Histoire et critique." . . "Poesia cinese." . . "Poesía." . . "Xinès Escriptura." . . "Chinesisch." . . "Chino (lengua) Escritura." . . "Semiotik." . . "Chinese poetry" . . "Chinese poetry." . "LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing" . . "Escritura china." . . "Poezie Istorie şi critică." . . "Chinese language Writing." . . "Chinese language Writing" .