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The ambiguity of taste freedom and food in European romanticism

Between the political revolutions of 1789 and 1848 - Romanticism in its broadest sense - no other subject so directly challenged the notion of "good taste" in literature as food. To be "in good taste," a work of the high style excluded references to literal taste; culinary allusions in tragedy and lyric poetry therefore represented an ironic attack on literary decorum and a liberation from the constraints of figurative taste.

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  • "Between the political revolutions of 1789 and 1848 - Romanticism in its broadest sense - no other subject so directly challenged the notion of "good taste" in literature as food. To be "in good taste," a work of the high style excluded references to literal taste; culinary allusions in tragedy and lyric poetry therefore represented an ironic attack on literary decorum and a liberation from the constraints of figurative taste."
  • "Between the political revolutions of 1789 and 1848 - Romanticism in its broadest sense - no other subject so directly challenged the notion of "good taste" in literature as food. To be "in good taste," a work of the high style excluded references to literal taste; culinary allusions in tragedy and lyric poetry therefore represented an ironic attack on literary decorum and a liberation from the constraints of figurative taste."@en

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  • "Criticism, interpretation, etc"
  • "Criticism, interpretation, etc"@en

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  • "The ambiguity of taste : freedom and food in European romanticism"
  • "The ambiguity of taste freedom and food in European romanticism"@en