"Esthétique 20e siècle." . . "Esthétique - 20e siècle." . "Esthétique 16e siècle 20e siècle." . . "Parodie." . . "Estética s.20." . . "Parodie (art)." . . "Parodie (art)" . "Parodie Art." . "Parodie (Artă)" . . "Arte S.20." . . "Parody in art History 20th century." . . "Parody in art, History, 20th century." . "Arte - Sec.20." . . . . "Parodieën." . . "Art 20e siècle 20e siècle." . . "Estetică Sec. 20." . . "Arts 20e siècle." . . "Arts - 20e siècle." . "anno 1900-1999" . . "Estètica moderna S. XX." . . "Artes." . . "Parodie dans l'art." . . "1900 - 1999" . . "Estetica." . . "Parodia (sztuka) 20 w." . . "Geschichte 1900-1985." . . "Geschichte 1900-1985" . "Parodia en el arte." . . "S. XX" . . "Art 20e siècle Thèmes, motifs." . . "Literatur Geschichte 20. Jh." . . "Temes en l'art." . . "Künste." . . "Arts, Modern 20th century." . . "Theorie." . . "Arte moderno Siglo XX." . . "Malerei Geschichte 20. Jh." . . "Art modern S. XX." . . "Art modern S.XX." . "Ästhetik Geschichte 20. Jh." . . "Arts." . . "art parodie 20e s." . . "Kunst." . . "Art modern." . . "Estètica moderna." . . . . . . . . . . . . . . . . . . . . . "A theory of parody : the teachings of 20th-century art forms" . . . . . "A theory of parody the teachings of Twentieth-century art forms" . . . . . . . . . . . "A theory of parody : the teachings of twentieth-century art forms"@en . "A theory of parody : the teachings of twentieth-century art forms" . . . . . . . . . . "A theory of parody : the teachings of 20.-century art forms" . . . "A theory of parody the teachings of twentieth century art forms" . . . . "A theory of parody : the teaching of twentieth-century art forms"@en . . . . . . "A theory of parody : The teachings of twentieth-century art forms" . "A Theory of parody : the teachings of twentieth-century art forms" . . . . . . . . . . . . . . . "History" . . . . . . . . . . . . . . . . . . . . . . . . . . . "In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does. Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's \"Rosenkrantz and Guildenstern Are Dead\", Brian de Palma's \"Dressed to Kill\", Woody Allen's \"Zelig\", Karlheinz Stockhausen's \"Hymnen\", James Joyce's \"Ulysses\", and Magritte's \"This Is Not a Pipe\", Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity." . . . . . . . . "Estètica S.XX." . . "Poetik." . . "Forme (esthétique)." . . "Forme (esthétique)" . "Paròdia." . . "Parodia." . "Art modern S. XX Teoria i estètica." . . "art citation 20e s." . . "Littérature 20e siècle Thèmes, motifs." . . "Parodia (sztuka)." . . "Art 20e siècle." . . "Estetica (Arte)" . . "Art contemporani." . . "Estética moderna Siglo XX." . . "Artă Sec. 20." . .