"Taken as a whole, the essays in The Cabin present the closest we have yet to come to a memoir from the Pulitzer Prize-winning playwright of Glengarry Glen Ross, American Buffalo, and Speed-the-Plow. The pieces in this volume are spare and pointed: episodes, both terrifying and thrilling, from childhood; impressions of a romantic young man; the strangely familiar tales of a traveler; and eerily exotic moments of retrospection."
"In these mordant, elegant, and often disquieting essays, the internationally acclaimed dramatist creates a sort of autobiography by strobe light, one that is both mysterious and starkly revealing. The pieces in The Cabin are about places and things: the suburbs of Chicago, where as a boy David Mamet helplessly watched his stepfather terrorize his sister; New York City, where as a young man he had to eat his way through a mountain of fried matzoh to earn a night of sexual bliss. They are about guns, campaign buttons, and a cabin in the Vermont woods that stinks of wood smoke and kerosene -- and about their associations of pleasure, menace, and regret. The resulting volume may be compared to the plays that have made Mamet famous: it is finely crafted and deftly timed, and its precise language carries an enormous weight of feeling. From the Trade Paperback edition."
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