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Les Refrains chez les trouvères du XIIe siècle au début du XIVe

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  • "Refrains chez les trouvères du 12e siècle au début du 14e"

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  • "The presence of a repeated refrain characterizes nearly one third of all lyric songs prior to 1350. Repeated refrains can play a dominant role in regulating the dimensions of their contexts. Chapter II specifies how the metrical and melodic schemes of the chansons a forme fixe are, to varying degrees, patterned after the refrain."
  • "The purpose of this dissertation is to define and analyze the various compositional practices, intrinsic to thirteenth-century trouvere poetics, commonly referred to as refrains."
  • "The melody, position, metrical structure, poetic function and even the formulation and meaning of refrains may change each time they are cited. Chapter IV explores the thematic, metrical, syntactic and semantic aspects of their integration and the variants resulting from such intertextual repetition."
  • "The stylistic and thematic homogeneity of the refrain corpus is not indicative of its intricate modes of integration, the diversity of its structural and poetic functions or the distinct processes of creation that govern its inclusion."
  • "Chapter I investigates the essential formal, rhetorical and linguistic features of refrains (considered independently of their contexts) based on a representative statistical sample. Refrains are then examined within the texts that incorporate them."
  • "The poetic versatility of refrains, their architectural, ornamental and proverbial functions, their use as counterpoints, initial and concluding arguments, are the focus of the final chapter. The fundamental status of refrains as prefabricated poetic syntax illuminates the nature of poetic invention in the Middle Ages."
  • "Intratextual repetition within a strophic form and according to a pre-established positional pattern is not an applicable criterion for identifying nonrepeated refrains. To what extent should these borrowed or composed lyric units, inserted as autonomous entities in a vast spectrum of unsung contexts, added to strophes of chansons avec des refrains or used as articulations in motet voices, be labeled refrains? Chapter IV suggests a broader definition and devises a set of admissible indices for recognizing nonrepeated refrains."

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  • "Dissertations, Academic"
  • "Refraim"
  • "Criticism, interpretation, etc"

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  • "Les Refrains chez les trouvères du XIIe siècle au début du XIVe"
  • "Les refrains chez les trouvères du XIIe siècle au début du XIVe"
  • "Les refrains chez les trouvères du XIIe siècle au début de XIVe"
  • "Les refrains chez les trouveres du XIIe. siècle au debut de XIVe"
  • "Les refrains chez les trouvères du XIIe siècle au début du XIVe siècle"
  • "Les refrains chez les trouveres du xiie siecle au debut du xive. (french text)"

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