The presentation of emotion in the English Gothic novels of the late eighteenth century and early nineteenth centuries, with particular reference to Ann Radcliffe's "Mysteries of Udolpho", M.G. Lewis's "Monk", Mary Shelley's "Frankenstein", C.R. Maturin's "Melmoth the Wanderer", Charlotte Brontë's "Jane Eyre", and works by minor Minerva press novelists Regina Maria Roche and Mary Ann Radcliffe

"The presentation of emotion in the English Gothic novels of the late eighteenth century and early nineteenth centuries, with particular reference to Ann Radcliffe's "Mysteries of Udolpho", M.G. Lewis's "Monk", Mary Shelley's "Frankenstein", C.R. Maturin's "Melmoth the Wanderer", Charlotte Brontë's "Jane Eyre", and works by minor Minerva press novelists Regina Maria Roche and Mary Ann Radcliffe"
"The presentation of emotion in the English Gothic novels of the late eighteenth century and early nineteenth centuries, with particular reference to Ann Radcliffe's "Mysteries of Udolpho", M.G. Lewis's "Monk", Mary Shelley's "Frankenstein", C.R. Maturin's "Melmoth the Wanderer", Charlotte Brontë's "Jane Eyre", and works by minor Minerva press novelists Regina Maria Roche and Mary Ann Radcliffe"@en
"The presentation of emotion in the English Gothic novels of the late eighteenth century and early nineteenth centuries, with particular reference to Ann Radcliffe's "Mysteries of Udolpho", M. G. Lewis's "Monk", Mary Shelley's "Frankenstein", C. R. Maturin's "Melmoth the Wanderer", Charlotte Brontë's "Jane Eyre", and works by minor Minerva press novelists Regina Maria Roche and Mary Ann Radcliffe"