""At the height of the Depression, Anni and her parents are evicted from their Berlin home and sent to Kuhle Wampe, a camp that now accommodates the ever-growing numbers of the dispossed"--Container."
"At the height of the Depression, Anni and her parents are evicted from their Berlin home and sent to 'Kuhle Wampe,' a camp that now accommodates the ever-growing numbers of the dispossessed. The film is infused with a number of montage sequences to create a 'semi-documentary' feel."
"Berlin 1931. Die Arbeitslosen beherrschen die Szene. Hier lebt auch Anni Bönike, die als einzige ihrer Familie noch eine Stelle hat. Als die Arbeitslosenunterstützung für Jugendliche gestrichen wird, begeht ihr Bruder Selbstmord. Bald können Bönikes die Miete nicht mehr bezahlen und ziehen in die Gewerkschafts-Siedlung "Kuhle Wampe". Der Film löste einen der grössten Zensurskandale seiner Zeit aus."
"Fiction. Drame. Au début des années 30, durant la crise, à Berlin. Annie et son ami Fritz tentent de survivre aux conditions économiques difficiles. Ils fêtent leurs fiançailles sous la tente des parents de la jeune fille, expulsés de leur logement puis réinstallés à Kuhle Wampe, un camp de chômeurs. Suite à l'annonce de sa grossesse à Fritz, Annie retourne à Berlin seule puisque Fritz ne désire pas assumer son nouveau rôle de père. Elle le retrouve lors d'une fête sportive organisée à l'intention des ouvriers victimes de la crise. Avec Hertha Thiele, Ernst Busch."
"At the height of the Depression, Anni and her parents are evicted from their Berlin home and sent to Kuhle Wampe, a camp that now accommodates the ever-growing numbers of the dispossessed. The only Communist film to come out of Weimar Germany, Kuhle Wampe was swiftly banned upon Hitler's rise to power. The film is followed by a video essay by Andrew Höllering, son of the co-producer."
"This film is a docu-drama focused on working class life in Berlin during the early thirties. Kuhle Wampe was a camp for the unemployed on the outskirts of the city. Anni, stifled by Kuhle Wampe's inhabitants' desire for bourgeois respectability finds new purpose in a left-wing youth movement. Brecht, co-author Ottwalt and friend, young Bulgarian director, Dudow, saw the film as contrasting 'the petty bourgeois world and the politically conscious workers' sports environment ... [to] show how young people grow out of middle-class confines into proletarian solidarity', to quote Dudow. The film's didacticism (characters as representative of their class) is combined with an almost lyrical naturalism. Kuhle Wampe was banned by the Nazis in 1933."
"At the height of the Depression, Anni and her parents are evicted from their Berlin home and sent to Kuhle Wampe, a camp that now accommodates the ever-growing numbers of the dispossessed. The only Communist film to come out of Weimar Germany, this film was swiftly banned upon Hitler's rise to power in 1933. The film is followed by a video essay (48 min.) by freelance writer, Andrew Hoellering, the son of the producer, Georg Hoellering."
"At the height of the Depression, Anni and her parents are evicted from their Berlin home and sent to Kuhle Wampe, a camp that now accommodates the ever-growing numbers of the dispossed. The only Communist film to come out of Weimar Germany, Kuhle Wampe was swiftly banned upon Hitler's rise to power."
"At the height of the depression Anni and her parents, evicted from their Berlin home, are sent to Kuhle Wampe, a camp which now accommodates the dispossessed. A semi-documentary film which combines inspired montage sequences with intimate realist and comic scenes of Anni's family life."
"At the height of the Depression, Anni and her parents are evicted from their Berlin home and sent to Kuhle Wampe, a camp that now accommodates the ever-growing numbers of the dispossed. The only Communist film to come out of Weimar Germany, Kuhle Wampe was swiftly banned upon Hitler's rise to power. The film is followed by a video essay by Andrew Höllering, son of the co-producer."
"At the height of the Depression, Anni and her parents are evicted from their Berlin home and sent to Kuhle Wampe, a camp that now accommodates the ever-growing numbers of the dispossessed. The only Communist film to come out of Weimar Germany, Kuhle Wampe was swiftly banned upon Hitler's rise to power in 1933."
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gauche (politique) République de Weimar [enregistrement vidéo]
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