WorldCat Linked Data Explorer

Turtle N-Triple JSON-LD RDF/XML HTML Contact Us Home

http://worldcat.org/entity/work/id/364964779

Manufacturing dissent : uncovering Michael Moore

There is no greater documentary filmmaking icon than Michael Moore, but are his films really the truth, the whole truth, and nothing but the truth? At what point is manipulation of fact, a work of fiction? The director "has the camera turned on him in this revelatory critical biography by the Canadian filmmakers, Melnyk and Caine. They offer a balanced portrait and an effective starting point for further discussion of Moore's contentious work and political filmmaking in general."--Cover.

Open All Close All

type

about

http://schema.org/about

alternateName

http://schema.org/alternateName

  • "Manufacturing dissent"
  • "Hot docs"@en
  • "Uncovering Michael Moore"@en
  • "Uncovering Michael Moore"
  • "Ange ou démon?"
  • "Michael Moore"
  • "Michael Moore"@en

contributor

http://schema.org/contributor

creator

description

http://schema.org/description

  • "There is no greater documentary filmmaking icon than Michael Moore, but are his films really the truth, the whole truth, and nothing but the truth? At what point is manipulation of fact, a work of fiction? The director "has the camera turned on him in this revelatory critical biography by the Canadian filmmakers, Melnyk and Caine. They offer a balanced portrait and an effective starting point for further discussion of Moore's contentious work and political filmmaking in general."--Cover."@en
  • "Documentaire qui pose un regard critique sur le travail de l'artiste controversé Michel Moore. Contient, entre autres, une discussion entre documentaristes reconnus à propos de Michael Moore et de la pratique du documentaire."
  • ""The Canadian filmmaker Debbie Melnyk travels to Michael Moore's hometown of Flint, Michigan, population 18,000. Once a flourishing small town with a high per capita income, it disintegrated economically when General Motors left and no longer provided jobs. Michael Moore's first documentary "Roger and Me" dealt with GM's desertion of Flint and its consequences. It points out certain facts, which the filmmaker later proves to be incorrect, such as Moore never having met up with Roger Smith, the then General Manager of GM. The writer Christopher Hitchens points out Moore's "liberal use of facts". (From Canada, in English) -- website."@en
  • "Home use only."
  • "Travels to documentary maker Michael Moore's hometown of Flint, Michigan, subject of his first film "Roger and Me", which disintegrated economically when General Motors left. Points out Moore's "liberal use of facts"."
  • "While trying to get an interview with Michael Moore, the filmmakers investigate how Moore uses documentary techniques to affect political change. By looking at Roger and me, Bowling for Columbine and Fahrenheit 9/11, the film builds a controversial portrait of him, exposing many revealing background stories."
  • "While trying to get an interview with Michael Moore, the filmmakers investigate how Moore uses documentary techniques to affect political change. By looking at Roger and me, Bowling for Columbine and Fahrenheit 9/11, the film builds a controversial portrait of him, exposing many revealing background stories."@en
  • "A documentary that looks at Michael Moore's documentary-making methods. Two Canadian filmmakers track Michael Moore on tour during the release of the explosive Fahrenheit 9/11, chronicling the politically supercharged climate in America that has fuelled Moore's transition from filmmaker to icon of the political left."
  • "Kritische blik op filmmaker Michael Moore."
  • ""Manufacturing Dissent is a topical documentary seeking to separate fact, fiction, and legend. It chronicles Michael Moore on tour during the promotion of Farenheit 9/11, all while exploring the politically charged climate in America that has prompted Moore's ascension from documentary filmmaker to icon of the political left."--IMDB."@en
  • ""Manufacturing Dissent is a topical documentary seeking to separate fact, fiction, and legend. It chronicles Michael Moore on tour during the promotion of Farenheit 9/11, all while exploring the politically charged climate in America that has prompted Moore's ascension from documentary filmmaker to icon of the political left."--IMDB."
  • "In the realm of documentary filmmaking there is no greater icon than Michael Moore but are his films really the truth the whole truth and nothing but the truth? At what point does the manipulation of fact become a work of fiction? See for yourself when the lens is turned on the most controversial director of our time. Discover the film that Michael Moore doesn t want you to see."
  • ""While trying to get an interview with Michael Moore, the filmmakers investigate how Moore uses documentary techniques to affect political change. By looking at Roger and me, Bowling for Columbine and Fahrenheit 9/11, the film builds a controversial portrait of him, exposing many revealing background stories"--Container."@en
  • "Investigation into the life and career of filmmaker Michael Moore, who uses documentary techniques to affect political change. It exposes what the creators say are Moore's misleading tactics, showing the entertaining man of the people, who says what everyone else is afraid to say, and the politically-overcharged, insecure man who ingeniously manipulates facts and people to get his point across and might be more eager for the spotlight than a social change."@en
  • ""In the realm of documentary filmmaking there is no greater icon than Michael Moore, but are his films really the truth, the whole truth, and nothing but the truth? At what point is manipulation of 'fact' a work of fiction? See for yourself when the lens is turned on the most controversial director of our time."--Container."@en
  • "There is no greater documentary filmmaking icon than Michael Moore, but are his films really the truth, the whole truth, and nothing but the truth? At what point is manipulation of fact a work of fiction? A look at the most controversial director today."@en
  • "There is no greater documentary filmmaking icon than Michael Moore, but are his films really the truth, the whole truth, and nothing but the truth? At what point is manipulation of fact a work of fiction? A look at the most controversial director today."

director

genre

http://schema.org/genre

  • "Biography"@en
  • "Biography"
  • "non fiction"
  • "Documentals"
  • "Nonfiction films"@en
  • "Criticism, interpretation, etc"@en
  • "Criticism, interpretation, etc"
  • "Feature films"@en
  • "Documentary"@en
  • "Film documentaire (Descripteur de forme)"
  • "Documentary films"@en
  • "DVD-Video"

name

http://schema.org/name

  • "Manufacturing dissent Michael Moore auf der Spur"
  • "Manufacturing Dissent : Michael Moore auf der Spur"
  • "Manufacturing dissent : uncovering Michael Moore"@en
  • "Manufacturing dissent : uncovering Michael Moore"
  • "Michael Moore ange ou démon? = Manufacturing dissent : uncovering Michael Moore"
  • "Manufacturing dissent uncovering Michael Moore"@en
  • "Manufacturing dissent uncovering Michael Moore"
  • "Manufacturing Dissent"
  • "Manufacturing dissent (Documental)"
  • "Manufacturing dissent"@en
  • "Manufacturing dissent"
  • "Manufacturing dissent - uncovering Michael Moore"

performer

producer

workExample