Copyright lies at the very heart of the music business. It determines how music is marketed, artists are rewarded, and all the uses to which their work is put. And copyright claims and counter-claims are the source of recurring conflict: Who wrote what and when? Who owns these sounds? What are you allowed to do with them? Disputes about copying and theft are becoming ever noisier with digital technology and the new possibilities of sampling and downloading and large-scale piracy. This book has been written to explain the copyright system to non-legal specialists and to show why copyright issues are so fascinating and so important. Copyright is analyzed as a matter of philosophy and economics as well as law. It is approached from the contrasting perspectives of composers, performers, producers and bootleggers. Copyright law is seen to be central to the relationship between the global entertainment industry and local musical practices. The questions raised here are not just about music. They concern the very meaning of intellectual property rights in the context of rapid global and technological change. And they are not just about big business. They impinge on all our lives. - Publisher.
"Copyright lies at the very heart of the music business. It determines how music is marketed, artists are rewarded, and all the uses to which their work is put. And copyright claims and counter-claims are the source of recurring conflict: Who wrote what and when? Who owns these sounds? What are you allowed to do with them? Disputes about copying and theft are becoming ever noisier with digital technology and the new possibilities of sampling and downloading and large-scale piracy. This book has been written to explain the copyright system to non-legal specialists and to show why copyright issues are so fascinating and so important. Copyright is analyzed as a matter of philosophy and economics as well as law. It is approached from the contrasting perspectives of composers, performers, producers and bootleggers. Copyright law is seen to be central to the relationship between the global entertainment industry and local musical practices. The questions raised here are not just about music. They concern the very meaning of intellectual property rights in the context of rapid global and technological change. And they are not just about big business. They impinge on all our lives. - Publisher."@en
"Did you know that in Italian law a translator can claim rights income from the original song, whatever its language? Or that in the next thirty years we can expect to see multiple editions of classic Beatles, Presley and Dylan tracks as the original recordings go out of copyright? This book takes a closer look at the state of intellectual property in the age of digital technology and globalisation. It shows how copyright law determines the structure of the international music business today and actually works against the interests of musical creativity. Written by music researchers and journalists, it highlights problems and solutions for the music industry and lawyers in Britain, the USA, Japan, Germany, Ghana and Canada amongst other countries, and analyses the cultural issues at work in new legislation."@en
"Did you know that in Italian law a translator can claim rights income from the original song, whatever its language? Or that in the next thirty years we can expect to see multiple editions of classic Beatles, Presley and Dylan tracks as the original recordings go out of copyright? This book takes a closer look at the state of intellectual property in the age of digital technology and globalisation. It shows how copyright law determines the structure of the international music business today and actually works against the interests of musical creativity. Written by music researchers and journalists, it highlights problems and solutions for the music industry and lawyers in Britain, the USA, Japan, Germany, Ghana and Canada amongst other countries, and analyses the cultural issues at work in new legislation."
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