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Dance, desire, and anxiety in early twentieth-century French theater : playing identities

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  • "Taking the artistic collaborations sparked off by the arrival of Diaghilev's Ballets Russes in Paris in 1909 as a starting point, Batson shows how the messages carried by and ascribed to bodies in performance significantly informed the direction of much artistic expression in the twentieth century."

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  • "Dance, desire, and anxiety in early twentieth-century French theater : playing identities"