"Doris Humphrey Technique Workshop." . . "Air for the G string (Choreographic work : Humphrey)" . . "Chorégraphie." . . . . "International Doris Humphrey Centennial Celebration (1995 : New York, N.Y.)" . . . "Princeton Book Company, Publishers." . . "National Initiative to Preserve American Dance." . . "Danse moderne." . . "Momenta (Dance company)" . . "Doris Humphrey Workshop Dancers." . . "Silo Concert Dancers." . . "Source experience"@en . . "Air for the G String coaching, analysis & performance" . . . . . . . . . . . . . . . . . . . . "Humphrey" . . . . . "Ernestine Stodelle, a former member of the Humphrey-Weidman Company, coaches students in Doris Humphrey's Air for the G string, a work for five dancers. Analyzing the choreography section by section, she clarifies and refines its details, with attention to shape, timing, dynamics, and motivation. Key concepts are identified in subtitles. A b&w film of the work, recorded in 1934 with Doris Humphrey as the central dancer, is screened in full at the beginning and end of the coaching session, and excerpts from this film precede each section. A full performance of the work, recorded in 1995, concludes the tape." . "Ernestine Stodelle, a former member of the Humphrey-Weidman Company, coaches students in Doris Humphrey's Air for the G string, a work for five dancers. Analyzing the choreography section by section, she clarifies and refines its details, with attention to shape, timing, dynamics, and motivation. Key concepts are identified in subtitles. A b&w film of the work, recorded in 1934 with Doris Humphrey as the central dancer, is screened in full at the beginning and end of the coaching session, and excerpts from this film precede each section. A full performance of the work, recorded in 1995, concludes the tape."@en . . "Air for the G string coaching, analysis, & performance" . . . . . . . "Video"@en . . . . "Air for the G string : coaching, analysis, & performance" . . . . . . . . . . . . . . . . . . . . . . . . . "\"Set to Bach's serenely soaring \"Air on the G String\" from his Orchestral Suite No. 3 in D Major, this quintet reflects the music's sustained spiritual mood. Inspired by Humphrey's love for the beauty of the music, the flowing movement and reverential gestures suggest an inner exaltation. This video includes a copy of the only film of Humphrey performing \"Air\"" . "Filmed dance" . . . . "Air for the G string"@en . . "Air for the G string" . . . . "Set to Bach's serenely soaring Air on the G String from his Orchestral Suite No.3 in D Major, this quintet reflects the music's sustained spiritual mood. Inspired by Humphrey's love for the beauty of the music, the flowing movement and reverential gestures suggest and inner exaltation. This video includes a copy of the only film of Humphrey performing Air." . . . . "One of a series of five instructional videos documenting Ernestine Stodelle's coaching of Doris Humphrey's choreographic works during the 5th and 6th annual Doris Humphrey technique workshops held in Aug., 1994-95 by the National Doris Humphrey Society. Includes the 1934 film of Air for the G string (ca. 6 min.) performed by Doris Humphrey, Cleo Atheneos, Dorothy Lathrop, Hyla Rubin, and Ernestine Henoch Stodelle, and a 1995 performance by the Silo Chamber Dancers."@en . "Dance"@en . . . . "Ernestine Stodelle, a former member of the Humphrey-Weidman Company, coaches students in Doris Humphrey's Air for the G string, a work for five dancers. Analyzing the choreography section by section, she clarifies and refines its details, with attention to shape, timing, dynamics, and motivation. Key concepts are identified in subtitles. A b&w film of the work, recorded in 1934 with Doris Humphrey as the central dancer, is screened in full at the beginning and end of the coaching session, and excerpts from this film precede each section. A full performance of the work, recorded in 1995, concludes the tape. This tape is not intended as a means of learning the choreography, nor as a replacement for the notation score or a coach. All works by Doris Humphrey are copyrighted, and permission to perform them must be obtained from her son Charles Humphrey Woodford."@en . . .