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Playing Shakespeare : with the Royal Shakespeare Company. Poetry and hidden poetry

Presenter John Barton leads members of the Royal Shakespeare Company in a discussion of Shakespeare's use of poetry and hidden poetry in seemingly unpoetic lines. Barton and the actors demonstrate how polysyllables trip easily off the tongue, while monosyllabic lines and words are packed with thoughts and feelings. They also explore Shakespeare's use of the words "time" and "death," along with contrast and sudden changes that occur.

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http://schema.org/about

http://schema.org/alternateName

  • "Poetry and hidden poetry"@en
  • "Playing Shakespeare"

http://schema.org/description

  • "Presenter John Barton leads members of the Royal Shakespeare Company in a discussion of Shakespeare's use of poetry and hidden poetry in seemingly unpoetic lines. Barton and the actors demonstrate how polysyllables trip easily off the tongue, while monosyllabic lines and words are packed with thoughts and feelings. They also explore Shakespeare's use of the words "time" and "death," along with contrast and sudden changes that occur."@en
  • "Presenter John Barton leads members of the Royal Shakespeare Company in a discussion of Shakespeare's use of poetry and hidden poetry in seemingly unpoetic lines. Barton and the actors demonstrate how polysyllables trip easily off the tongue, while monosyllabic lines and words are packed with thoughts and feelings. They also explore Shakespeare's use of the words "time" and "death," along with contrast and sudden changes that occur."
  • "A series of workshop sessions led by Royal Shakespeare Company director John Barton in front of a live audience. Together with a group of renowned British actors he explores various aspects of Shakespeare's verse and drama. This part looks at Shakespeare's use of poetry and hidden poetry in seemingly unpoetic lines. Barton and the actors explore Shakespeare's use of the words 'time' and 'death', along with contrast and sudden changes that occur. Featured passages are from Henry IV."@en
  • "Presenter/director John Barton leads members of the Royal Shakespeare Company in a discussion of Shakespeare's use of poetry and hidden poetry in seemingly unpoetic lines. Barton and the actors demonstrate how polysyllables trip easily off the tongue, while monosyllable lines and words are packed with thoughts and feelings."@en
  • "John Barton leads members of the Royal Shakespeare Company in a discussion of Shakespeare's use of poetry and hidden poetry in seemingly unpoetic lines. Barton and the actors demonstrate how polysyllables trip easily off the tongue, while monosyllabic lines and words are packed with thoughts and feelings. They also explore Shakespeare's use of the words "time" and "death," along with contrast and sudden changes that occur. Various styles of playing Shakespeare since the early twentieth century are discussed. John Barton finishes the series by performing both parts of a dialogue between Ulysses and Hector from Troilus and Cressida."
  • "Videos located at Circulation Desk."
  • "off the tongue, while monosyllabic lines and words are packed with thoughts and feelings. They also explore Shakespeare's use of the words "time" and "death;" along with contrast and sudden changes that occur."@en
  • "A group of actors analyse the poetry and the hidden poetry in some Shakespeare texts and discuss the use of monosyllabic lines and words as a mean to give a text more thought and feelings, the use of the words "time" and "death", and the use of contrast and sudden changes."@en
  • "Presenter/director John Barton leads members of the Royal Shakespeare Company in a discussion of Shakespeare's use of poetry and hidden poetry in seemingly unpoetic lines. Barton and the actors demonstrate how polysyllables trip easily off the tongue, while monosyllabic lines and words are packed with thoughts and feelings. They also explore Shakespeare's use of the words "time" and "death", along with contrast and sudden changes that occur."
  • ""How Shakespeare used poetry to heighten the dramatic effect. How polysyllables trip easily off the tongue while monosyllabic lines and words are packed with thoughts and feelings. Poetic phrases which say more than what they actually describe. The hidden poetry in seemingly unpoetic lines. The words "time" and "death." Contrast and sudden changes in Shakespeare"--Website."
  • "An actor's class illuminating how Shakespeare uses poetry and poetic phrases to heighten the dramatic effect."
  • "John Barton leads members of the Royal Shakespeare Company in a discussion of Shakespeare's use of poetry and hidden poetry in seemingly unpoetic lines. Barton and the actors demonstrate how polysyllables trip easily off the tongue, while monosyllabic lines and words are packed with thoughts and feelings. They also explore Shakespeare's use of the words "time" and "death.""@en
  • "John Barton leads members of the Royal Shakespeare Company in a discussion and dramatization of Shakespeare's use of poetry and hidden poetry in seemingly unpoetic lines. Barton and the actors demonstrate how polysyllables trip easily off the tongue, while monosyllabic lines and words are packed with thoughts and feelings. They also explore Shakespeare's use of the words "time" and "death.""@en
  • "Presenter/director John Barton leads members of the Royal Shakespeare Company in a discussion of Shakespeare's use of poetry and hidden poetry in seemingly unpoetic lines. Barton and the actors demonstrate how polysyllabic lines trip easily."@en
  • "Presenter/director John Barton leads members of the Royal Shakespeare Company in a discussion of Shakespeare's use of poetry and hidden poetry in seemingly unpoetic lines. Barton and the actors demonstrate how polysyllables trip easily off the tongue, while monosyllabic lines and words are packed with thoughts and feelings. They also explore Shakespeare's use of the words "time" and "death," along with contrast and sudden changes that occur."
  • "Presenter/director John Barton leads members of the Royal Shakespeare Company in a discussion of Shakespeare's use of poetry and hidden poetry in seemingly unpoetic lines. Barton and the actors demonstrate how polysyllables trip easily off the tongue, while monosyllabic lines and words are packed with thoughts and feelings. They also explore Shakespeare's use of the words "time" and "death," along with contrast and sudden changes that occur."@en

http://schema.org/genre

  • "Documentary television programs"@en
  • "Criticism, interpretation, etc"@en
  • "Criticism, interpretation, etc"
  • "Nonfiction television programs"@en
  • "Television programs"@en
  • "Instructional television programs"@en
  • "Educational television programs"@en

http://schema.org/name

  • "Playing Shakespeare : with the Royal Shakespeare Company. Poetry and hidden poetry"@en
  • "Playing Shakespeare. Poetry and hidden poetry"@en
  • "Playing Shakespeare (Television program). Poetry and hidden poetry"@en
  • "[Poetry and hidden poetry]"
  • "Poetry and hidden poetry"
  • "Poetry and hidden poetry"@en
  • "Poetry and hidden poetry a Films for the Humanities presentation"