"Culturele invloeden." . . "Vergelijkende letterkunde." . . "Poésie anglaise Influence romaine." . . "Latein." . . "Poezja angielska wpływ łaciński." . . "English poetry Roman influences." . . "DRAMA English, Irish, Scottish, Welsh." . . . . . "A detailed exploration of Ben Jonson's relationship with his single most enduring and significant literary model, Horace."@en . . . . "A detailed exploration of Ben Jonson's relationship with his single most enduring and significant literary model, Horace.--Résumé de l'éditeur." . . "History"@en . "History" . "Criticism, interpretation, etc"@en . . "Criticism, interpretation, etc" . . "\"The influence of the Roman poet Horace on Ben Jonson has often been acknowledged, but never fully explored. Discussing Jonson's Horatianism in detail, this study also places Jonson's densely intertextual relationship with Horace's Latin text within the broader context of his complex negotiations with a range of other 'rivals' to the Horatian model including Pindar, Seneca, Juvenal and Martial. The new reading of Jonson's classicism that emerges is one founded not upon static imitation, but rather a lively dialogue between competing models - an allusive mode that extends into the seventeenth-century reception of Jonson himself as a latter-day 'Horace'. In the course of this analysis, the book provides fresh readings of many of Jonson's best known poems - including 'Inviting a Friend to Dinner' and 'To Penshurst' - as well as a new perspective on many lesser known pieces, and a range of unpublished manuscript material\"--Provided by publisher." . "\"The influence of the Roman poet Horace on Ben Jonson has often been acknowledged, but never fully explored. Discussing Jonson's Horatianism in detail, this study also places Jonson's densely intertextual relationship with Horace's Latin text within the broader context of his complex negotiations with a range of other 'rivals' to the Horatian model including Pindar, Seneca, Juvenal and Martial. The new reading of Jonson's classicism that emerges is one founded not upon static imitation, but rather a lively dialogue between competing models - an allusive mode that extends into the seventeenth-century reception of Jonson himself as a latter-day 'Horace'. In the course of this analysis, the book provides fresh readings of many of Jonson's best known poems - including 'Inviting a Friend to Dinner' and 'To Penshurst' - as well as a new perspective on many lesser known pieces, and a range of unpublished manuscript material\"--Provided by publisher."@en . . . . . . . . . . . . "Jonson, Horace and the classical tradition" . "Jonson, Horace and the classical tradition"@en . . . . . . . . . . . . . . . . "\"The influence of the Roman poet Horace on Ben Jonson has often been acknowledged, but never fully explored. Discussing Jonson's Horatianism in detail, this study also places Jonson's densely intertextual relationship with Horace's Latin text within the broader context of his complex negotiations with a range of other 'rivals' to the Horatian model including Pindar, Seneca, Juvenal and Martial. The new reading of Jonson's classicism that emerges is one founded not upon static imitation, but rather a lively dialogue between competing models - an allusive mode that extends into the seventeenth-century reception of Jonson himself as a latter-day 'Horace'. In the course of this analysis, the book provides fresh readings of many of Jonson's best known poems - including 'Inviting a Friend to Dinner' and 'To Penshurst' - as well as a new perspective on many lesser known pieces, and a range of unpublished manuscript material\"--Résumé de l'éditeur." . . . . . . . "Jonson, Horace and the Classical Tradition"@en . . . . . . . . . . . "Electronic books"@en . "Literatur." . . "Klasycyzm Wielka Brytania 17 w." . . . . "Rezeption." . . "Classicism England History 17th century." . . "Classicisme Angleterre Histoire 17e siècle." . . "1500 - 1700" . .