From the Dust Jacket: In Adieux: A Farewell to Sartre, Simone de Beauvoir uses Jean-Paul Sartre's last ten years as a focus for understanding his entire life. Through her eyes, we see an intimate portrait of the man who was widely recognized as one of the greatest thinkers of the twentieth century-the foremost philosopher of existentialism, a Nobel Prize-winning playwright, and a central figure in almost every major philosophical, political, literary, and social issue of our time. De Beauvoir was Sartre's closet friend, his intellectual companion, and, intermittently, his lover, from his early twenties until his death. It is she who tells his story in Adieux. She begins with a year-by-year memoir of Sartre's last decade: his political involvements, his work on Flaubert, his friendships, his relationship with her, his slow demise. The second and longer part of the book is a conversation between Sartre and De Beauvoir about his entire life and work. Unguarded, lucid, and incisive, Sartre talks about the origins of his philosophy, the inspiration for his fiction, and the conviction behind his activism. But more than a philosophical book, Adieux is a personal dialogue of astonishing candor. Sartre openly discusses his relationships with women-a subject which seems to pain De Beauvoir even now; his ugliness; his fear of passion. And in one of the most moving passages in Adieux, De Beauvoir anticipates Sartre's death. She knows he is dying, but she cannot tell him. Existentialism's acceptance of death does not console her. Adieux reveals the inner Sartre and the inner De Beauvoir, and illuminates one of the most extraordinary relationships of our century.
"Témoignage sur les dix dernières années de Sartre. On connaît la dévotion de Beauvoir pour le grand penseur, même s'il lui arrive de manifester son attachement d'une façon bien particulière: en faisant un étalage assez impudique de la déchéance de Sartre vaincu par les abus, la maladie et la vieillesse. Des entretiens qui ont eu lieu au cours de l'été 1974, entre Sartre et Beauvoir, occupent la majeure partie du volume. Ils complètent (mais aussi répètent) tant ##Les mots## que le film consacré à Sartre. Ils sont précieux pour mieux saisir la personnalité et les contradictions de l'auteur de ##La nausée##."
"Ben shu shi xi meng. de. bo wa 1970-1980 nian jian de ri ji, ji shu le sa te de sheng huo, xie zuo, zhe xue si xiang deng fang mian de qing kuang, yi ji zuo zhe yu sha te de tan hua lu."
"From the Dust Jacket: In Adieux: A Farewell to Sartre, Simone de Beauvoir uses Jean-Paul Sartre's last ten years as a focus for understanding his entire life. Through her eyes, we see an intimate portrait of the man who was widely recognized as one of the greatest thinkers of the twentieth century-the foremost philosopher of existentialism, a Nobel Prize-winning playwright, and a central figure in almost every major philosophical, political, literary, and social issue of our time. De Beauvoir was Sartre's closet friend, his intellectual companion, and, intermittently, his lover, from his early twenties until his death. It is she who tells his story in Adieux. She begins with a year-by-year memoir of Sartre's last decade: his political involvements, his work on Flaubert, his friendships, his relationship with her, his slow demise. The second and longer part of the book is a conversation between Sartre and De Beauvoir about his entire life and work. Unguarded, lucid, and incisive, Sartre talks about the origins of his philosophy, the inspiration for his fiction, and the conviction behind his activism. But more than a philosophical book, Adieux is a personal dialogue of astonishing candor. Sartre openly discusses his relationships with women-a subject which seems to pain De Beauvoir even now; his ugliness; his fear of passion. And in one of the most moving passages in Adieux, De Beauvoir anticipates Sartre's death. She knows he is dying, but she cannot tell him. Existentialism's acceptance of death does not console her. Adieux reveals the inner Sartre and the inner De Beauvoir, and illuminates one of the most extraordinary relationships of our century."@en
"From the Dust Jacket: In Adieux: A Farewell to Sartre, Simone de Beauvoir uses Jean-Paul Sartre's last ten years as a focus for understanding his entire life. Through her eyes, we see an intimate portrait of the man who was widely recognized as one of the greatest thinkers of the twentieth century-the foremost philosopher of existentialism, a Nobel Prize-winning playwright, and a central figure in almost every major philosophical, political, literary, and social issue of our time. De Beauvoir was Sartre's closet friend, his intellectual companion, and, intermittently, his lover, from his early twenties until his death. It is she who tells his story in Adieux. She begins with a year-by-year memoir of Sartre's last decade: his political involvements, his work on Flaubert, his friendships, his relationship with her, his slow demise. The second and longer part of the book is a conversation between Sartre and De Beauvoir about his entire life and work. Unguarded, lucid, and incisive, Sartre talks about the origins of his philosophy, the inspiration for his fiction, and the conviction behind his activism. But more than a philosophical book, Adieux is a personal dialogue of astonishing candor. Sartre openly discusses his relationships with women-a subject which seems to pain De Beauvoir even now; his ugliness; his fear of passion. And in one of the most moving passages in Adieux, De Beauvoir anticipates Sartre's death. She knows he is dying, but she cannot tell him. Existentialism's acceptance of death does not console her. Adieux reveals the inner Sartre and the inner De Beauvoir, and illuminates one of the most extraordinary relationships of our century."
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Egzisztencializmus francia 1970-1980 beszélgetések.
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