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The wonderful, horrible life of Leni Riefenstahl

Depicts the long, turbulent, and productive life of Leni Riefenstahl, former dancer and filmmaker to Hitler, whose Triumph des Willens and Olympia were prime Nazi propaganda documents. In disrepute after World War 2, Riefenstahl turned to anthropological filmmaking and underwater cinematography.

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  • "Macht der Bilder: Leni Riefenstahl"@en
  • "Wonderful, horrible life of Leni Riefenstahl"
  • "Power of the image"
  • "Power of the image"@en
  • "Macht der Biler"
  • "Macht der Bilder Leni Riefenstahl"
  • "Macht der bilder"
  • "Macht der Bilder--Leni Reifenstahl"
  • "Wonderful, horrible world of Leni Riefenstahl"
  • "Leni Riefenstahl, die Macht der Bilder"
  • "Power of the image--Leni Riefenstahl"
  • "Macht der Bilder"@en
  • "Macht der Bilder"
  • "Leni Riefenstahl"@en
  • "Leni Riefenstahl"
  • "Leni Riefenstahl : le pouvoir des images"
  • "Power of the Image--Leni Riefenstahl"

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  • "Interviews with Leni Riefenstahl, now in her nineties, flash-backs and modern film sequences tell the story of the most famous woman film director of all time. Known for her films made during the Third Reich, Riefenstahl's story is a controversial one. Best known for her "Triumph of the Will," the film made of the 1934 Nazi Party Congress, it proved to be her undoing."
  • "Depicts the long, turbulent, and productive life of Leni Riefenstahl, former dancer and filmmaker to Hitler, whose Triumph des Willens and Olympia were prime Nazi propaganda documents. In disrepute after World War 2, Riefenstahl turned to anthropological filmmaking and underwater cinematography."@en
  • "A look at the life of motion picture director Leni Riefenstahl, drawing from contemporary interviews and historical footage."@en
  • "It seems that Leni Riefenstahl cooperated with the filmmaker Ray Muller in order to present at 90, her view of her life and work and, more importantly, to answer her critics. As such this is not an objective analysis of her films and the available evidence about their making. It is a portrait of a woman who, in Triumph of the Will, applied her remarkable ability and will to the production of a masterpiece of ideologically-charged filmmaking overtly designed as propaganda. Muller's film is generously punctuated with pristine footage from Riefenstahl's 'mountain' films with Dr. Arnold Fanck, her films of the Nazi period and her African and undersea projects. The German title translates as The Power of the Image."
  • "At the heart of this film is the question of whether Leni Riefenstahl was a Nazi, as her detractors claim, or whether she was the victim of society-- a naive, young woman who made Triumph des Willens on assignment, and simply did a very good job. This film does not judge, and Riefenstahl (a fiesty 90 during production) is genuine in her protest. Or has the passage of 50-plus years simply rewritten history in her mind? Viewers must judge for themselves."
  • "Las entrevistas con Leni Riefenstahl, ahora en los años noventa, el destello - espaldas y secuencias modernas dicen la historia de la directora más famosa de todo el tiempo. conocida por sus películas hechas durante el Tercer Reich, la historia de Riefenstahl es uno polémico. Mejor conocidapara su Triunfo."
  • "Interviews with Leni Riefenstahl, now in her nineties, combine with sequences from her films to tell the story of the most famous woman director of all time. Best known for Triumph of the Will, a 1934 production made for the Nazi Party Congress, she is still a controversial figure today."
  • "In her 90th year, German film director Leni Riefenstahl, who became famous during the Third Reich, describes her relationship with Hitler and his regime, and explains her original filming techniques. Part 1 shows her own film career and Triumph of the will (1934), whilst included in part 2 is Olympiad 1936. Documentary flashbacks and excerpts from the mentioned films support the points made."
  • "Leni Riefenstahl stayed in Germany when Naziism began to rise in the 1930s, and became Hitler's favourite film-maker, subsequently making documentaries on the Nuremberg Rallies and filming the 1936 Olympic Games. This fascinating documentary is conductedby the lady herself, now 91, as she re-visits her native haunts."
  • "Interviews with Leni Riefenstahl, now in her nineties, flash-backs and modern film sequences tell the story of the most famous woman film director of all time. Known for her films made during the Third Reich, Riefenstahl's story is a controversial one. Best known for her "Triumph of the Will," the film made of the 1934 Nazi Party Congress, it proved to be her undoing."
  • "Examines the life and career of the filmmaker Leni Riefenstahl. She began as a dancer, was discovered by Max Reinhardt and became a star. Arnold Fanck's mountain films entranced her and she talked her way into starring in one. She wrote and directed her own films and attracted the notice of Adolf Hitler. She became the filmmaker of the Nazis and made Triumph of the Will and Olympia. During World War II, she began but never finished the film Tiefland. She talks about her involvement with the Nazis. She was tried as a war criminal, but was not found guilty although she was not allowed to make another film. She started another career as a still photographer, became interested in Africa and made anthropological films there. At the age of 90, she scuba dives and shoots underwater films."
  • ""A spellbinding account of the woman best known as Hitler's moviemaker ... In this remarkable documentary, Leni Riefenstahl addresses her past for the first time on camera."--Container."@en
  • "Interviews with Leni Riefenstahl (now in her nineties), flash-backs and modern film sequences tell the story of the most famous woman film director of all time. Known for her films made during the Third Reich, Riefenstahl's story is a controversial one. She is best known for her "Triumph of the Will," the film made of the 1934 Nazi Party Congress, but also made a variety of narrative and anthropological films."@en
  • "Interviews with Leni Riefenstahl, now in her nineties, flash-backs and modern film sequences tell the story of the film director. Known for her films made during the Third Reich, Riefenstahl's story is controversial. Best known for her "Triumph of the Will" (made at the 1934 Nazi Party Congress), it proved to be her undoing."
  • "Interviews with Leni Riefenstahl, now in her nineties, flash-backs and modern film sequences tell the story of the most famous woman film director of all time. Known for her films made during the Third Reich, Riefenstahl's story is a controversial one. Best known for her film Triumph of the will, the film made of the 1934 Nazi Party Congress, it proved to be her undoing."@en
  • "Interviews with Leni Riefenstahl, now in her nineties, flash- backs and modern film sequences tell the story of the most famous woman film director of all time. Known for her films made during the Third Reich, Riefenstahl's story is a controversial one. Best known for her "Triumph of the Will," the film made of the 1934 Nazi Party Congress, it proved to be her undoing."@en
  • ""This documentary recounts the life and work of one of most famous, and yet reviled, German film directors in history, Leni Riefenstahl. The film recounts the rise of her career from a dancer, to a movie actor to the most important film director in Nazi Germany who directed such famous propaganda films as Triumph of the Will and Olympiad. The film also explores her later activities after Nazi Germany's defeat in 1945 and her disgrace for being so associated with it, which includes her amazingly active life over the age of 90"--Internet movie database summary by Kenneth Chisholm, as viewed on October 17, 2005."@en
  • "At the heart of this film is the question of whether Leni Riefenstahl was a Nazi, as her detractors claim, or whether she was the victim of society--a naive, young woman who made Triumph des Willens on assignment, and simply did a very good job. This film does not judge, and Riefenstahl (a fiesty 90 during production) is genuine in her protest. Or has the passage of 50-plus years simply rewritten history in her mind? Viewers must judge for themselves."
  • "Documentaire évoquant la vie et la carrière de l'actrice, photographe et cinéaste allemande Leni Riefenstahl. Après une brève carrière de comédienne, elle passa derrière la caméra et réalisa deux des plus célèbres films de propagande de l'Allemagne nazie. Après la guerre, elle poursuivit une carrière de photographe et de cinéaste, s'intéressant plus particulièrement à l'anthropologie et à la vie sous-marine."
  • "À travers ce documentaire, Ray Müller présente la vie et l'oeuvre de Leni Riefenstahl, la cinéaste d'Hitler. Il l'accompagne sur ses anciens et nouveaux lieux de tournage et confronte images d'archives inédites, extraits de films, documents de tournage, témoignages et entretiens sur le vif. Ray Müller ne contourne aucune question, interrogeant Riefenstahl sur ses méthodes de travail, sur la vision qu'elle a aujourd'hui de ses propres films et le contexte dans lequel elle les réalisa."
  • "Two part profile of Leni Riefenstahl, who became a powerful film director under the patronage of Adolf Hitler. Best known for her documentary of the 1936 Berlin Olympic Games, she also made the archetypal Nazi propaganda film, Triumph of the will, a record of the 1934 Nuremberg Rally."
  • "This documentary recounts the life and work of German film director Leni Riefenstahl. The film recounts her career from dancer, actress, and film director in Nazi Germany. The film explores her disgrace after Germany's defeat in 1945 and tells of her work and life after the war. Leni Riefenstahl is best known for her film Triumph des willens."
  • "Traces the life of Leni Riefenstahl from her early career as a dancer to her time as Hitlers favourite producer of propaganda."
  • "An account of the woman best known as Hitler's moviemaker and recently hailed by the New York Times as "one of the greatest women filmmakers ever". In this documentary, Leni Riefenstahl addresses her past for the first time on camera. While she never actually joined the Nazi Party, as the creator of the single most effective propaganda film ever made, Triumph of the will, Riefenstahl has spent most of her life trying to live down her association with the Third Reich. Her personal relationship with Hitler is still in question. At 91, Riefenstahl revisits the landmarks of her turbulent life -- from her beginnnings as a daredevil actress in German "mountain films" to her direction of such stunning narratives as The blue light (1932) and Tiefland (1940s), to her infamous documentaries, Triumph of the will (1935) and Olympia (1938) to her anthropological photographs and home movies of the now extinct Nuba tribes in Africa. The film brings the story up to her current passion for scuba diving and shooting films of exotic aquatic life."
  • "Focuses on the career of Leni Riefenstahl who became famous for making propaganda films which showcased the rise of Nazi Germany. At age 90, she discusses her career as a dancer, actress, writer and director, her propaganda films and association with the Nazis, films and photographs of the Nuba tribes in Africa, and current occupation of scuba diving and making underwater films."
  • "Interviews with Leni Riefenstahl, now in her nineties, flash-backs and modern film sequences tell the story of the most famous woman film director of all time. Known for her films made during the Third Reich, Riefenstahl's story is a controversial one. Best known for her "Triumph of the Will," the film made of the 1934 Nazi Party Congress, it proved to be her undoing."
  • "It seems that Leni Riefenstahl cooperated with the filmmaker Ray Muller in order to present, at 90, her view of her life and work and, more importantly, to answer her critics. As such this is not an objective analysis of her films and the available evidence about their making. It is a portrait of a woman who, in Triumph of the Will, applied her remarkable ability and will to the production of a masterpiece of ideologically-charged filmmaking overtly designed as propaganda. Muller's film is generously punctuated with pristine footage from Riefenstahl's 'mountain' films with Dr. Arnold Fanck, her films of the Nazi period and her African and undersea projects. The German title translates as The Power of the Image."

http://schema.org/genre

  • "Biographies"@en
  • "Biographies"
  • "Vidéo"
  • "Documentaries and factual films and video"
  • "Biographie (Descripteur de forme)"
  • "Interviews"
  • "Interviews"@en
  • "Film documentaire (Descripteur de forme)"
  • "Historical films and video (Nonfiction)"
  • "Biography"
  • "Biography"@en
  • "History"
  • "Feature films"
  • "Criticism, interpretation, etc"
  • "Features"
  • "Biographical films"
  • "Biographical films"@en
  • "Foreign language films"
  • "DVD-Video discs"
  • "DVD-Video discs"@en
  • "Nonfiction films"
  • "Documentary films"
  • "Documentary films"@en

http://schema.org/name

  • "Die Macht der Bilder: Leni Riefenstahl"
  • "The wonderful horrible life of Leni Riefenstahl = [Die macht der bilder : Leni Riefenstahl]"
  • "Macht der Bilder, Leni Riefenstahl (Motion picture)"
  • "The Wonderful Horrible Life of Leni Riefenstahl"
  • "The wonderful, horrible life of Leni Riefenstahl"@en
  • "The wonderful, horrible life of Leni Riefenstahl"
  • "The wonderful horrible life of Leni Riefenstahl [Die macht der bilder : Leni Riefenstahl]"
  • "The wonderful horrible life of Leni Riefenstahl [Die macht der bilder : Leni Riefenstahl]"@en
  • "Macht der Bilder--Leni Riefenstahl"
  • "The Wonderful horrible life of Leni Riefenstahl"
  • "The Wonderful horrible life of Leni Riefenstahl"@en
  • "The wonderful horrible life of Leni Riefenstahl"

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