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"A mother, her daughter and a prostitute have been living in a hotel in the heart of Algiers amid creeping fundamentalism. Goucem, the daughter, has chosen a modern, emancipated life, spending steamy weekends in nightclubs. Fifi, her faithful friend, prostitutes herself under the thumb of a local protector. Papicha, the mother, eats pizzas in front of the television, torn between fear and nostalgia for the cabaret days of her youth. Known in Europe as the North African Pedro Almodovar, filmmaker Nadir Mokneche weaves a richly drawn portrait of women exiled in their own country."
"Three woman have been living in a hotel in the center of Algiers amid creeping fundamentalism. Goucem, the daughter, has chosen a modern, emancipated life, spending steamy weekends in nightclubs. Fifi, her faithful friend, prostitutes herself under the thumb of a local protector. Papicha, the mother, eats pizzas in front of the television, torn between fear and nostalgia."
"Alger hiver 2003, la maman la fille et la putain sont installées, depuis le début des violences terroristes, dans un hotel du centre villey. Goucem, la fille s'est organisée une vie émancipée, entre boulot chez un photographe, amant marié médecin et des week ends chauds en boîte. Fifi, la confidente, se proetitue avec le soutien d'un puissant et gentil protecteur. Pacpicha la mère picore des pizzas devant la télé, écartelée entre peur et nostalgie de sa célébrité passée de danseuse de cabaret."
""Three women: a mother, her daughter, and a prostitute have been living in a hotel in the center of town amid creeping fundamentalism. Goucem, the daughter, has chosen a modern, emancipated life, spending steamy weekends in nightclubs. Fifi, her faithful friend, prostitutes herself under the thumb of a local protector. Papicha, the mother, eats pizzas in front of the television, torn between fear and nostalgia"--Original container."
"Au-delà du beau portrait de femmes fortes en quête d'émancipation, une peinture d'Alger à l'atmosphère âpre où l'espoir le dispute à la peur... Un ton grave non exempt d'humour..."
""Alger, hiver 2003. Trois femmes sont installées, depuis le début des violences terroristes, dans un hôtel du centre-ville. La fille, s'est organisée une vie émancipée, entre un boulot chez un photographe, un amant généreux et marié, et des week-ends chauds en boîte de nuit. Son amie fidèle se prostitue sous la coupe d'un puissant et "gentil" protecteur. Quant à la mère, elle passe son temps, écartelée entre peur et nostalgie. Le réalisateur Nadir Moknèche dresse un riche portrait de femmes en exil dans leur propre pays."--Jaquette du boîtier."
""Sous pression terroriste, deux femmes se réfugient dans un hôtel situé au centre d'Alger. Goucem, la fille âgée de 27 ans, s'est fabriqué une apparence de vie "normale" en travaillant pour un photographe. Elle partage par ailleurs sa vie entre un homme marié et généreux et des week-ends chauds en boîte de nuit. Devant la télévision, Papicha, la mère, vacille entre peur et nostalgie d'un passé heureux de danseuse de cabaret..."
"Three women: a mother, her daughter, and a prostitute have been living in a hotel in the center of town amid creeping fundamentalism. Goucem, the daughter, has chosen a modern, emancipated life, spending steamy weekends in nightclubs. Fifi, her faithful friend, prostitutes herself under the thumb of a local protector. Papicha, the mother, eats pizzas in front of the television, torn between fear and nostalgia."
""The heart of Algiers, the winter of 2003. Three women: a mother, her daughter, and a prostitute have been living in a hotel in the center of town amid creeping fundamentalism. Goucem, the daughter, has chosen a modern, emancipated life, spending steamy weekends in nightclubs. Fifi, her faithful friend, prostitutes herself under the thumb of a local protector. Papicha, the mother, eats pizzas in front of the television, torn between fear and nostalgia"--Container."
"The heart of Algiers, the Winter of 2003. Three women: a mother, her daughter and a prostitute have been living in a hotel in the centre of town amid creeping fundamentalism. Goucem, the daughter, has chosen a modern, emancipated life for herself by working for a photographer and spending steamy weekends in nightclubs. Fifi, her faithful friend, prostitutes herself under the thumb of a local protector. Papicha, the mother, eats pizzas in front of the television, torn between fear and nostalgia."
""Three women: a mother, her daughter, and a prostitute have been living in a hotel in the center of town amid creeping fundamentalism. Goucem, the daughter, has chosen a modern, emancipated life, spending steamy weekends in nightclubs. Fifi, her faithful friend, prostitutes herself under the thumb of a local protector. Papicha, the mother, eats pizzas in front of the television, torn between fear and nostalgia"--Container."

director

http://schema.org/director

http://worldcat.org/entity/person/id/2639157071

editor

http://schema.org/editor

http://worldcat.org/entity/person/id/2639157071

genre

http://schema.org/genre

"Feature films"
"Video recordings for the hearing impaired"
"Drama"
"Fiction films"
"DVD-Video discs"
"Films for the hearing impaired"
"Motion pictures"
"Comédie dramatique"
"Video recordings"
"Videodiscs"
"Melodramas (Motion pictures)"
"Foreign films"
"Melodrama"
"Videorecording"

musicBy

http://schema.org/musicBy

http://worldcat.org/entity/person/id/2627229397

name

http://schema.org/name

"Viva LaIdjérie"
"Viva Laldjerie"
"Viva Laldjérie Viva Algeria"
"Viva Laldgérie!"
"Viva laldjérie Viva Algeria"
"Viva Laldjêrie"
"Viva Laldjérie"

performer

http://schema.org/performer

workExample

http://schema.org/workExample