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Variations pour une porte et un soupir [Wide shot]
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- http://worldcat.org/entity/person/id/2684258612
- http://worldcat.org/entity/person/id/2645302404
- http://experiment.worldcat.org/entity/work/data/39150930#CreativeWork/variations_pour_une_porte_et_un_soupir_choreographic_work_balanchine
- http://worldcat.org/entity/person/id/2634464053
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- http://id.worldcat.org/fast/510662
- http://id.loc.gov/authorities/names/n50003343
- http://experiment.worldcat.org/entity/work/data/39150930#Meeting/balanchine_celebration_1993_new_york_city_ballet
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- http://viaf.org/viaf/147038435
- http://worldcat.org/entity/person/id/2633976164
- http://id.loc.gov/authorities/names/n88650127
- http://viaf.org/viaf/138492800
- http://worldcat.org/entity/person/id/2634464053
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- http://worldcat.org/entity/person/id/2684258612
- http://id.loc.gov/authorities/names/nr99028225
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- http://viaf.org/viaf/133657447
- http://id.loc.gov/authorities/names/n50003343
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http://schema.org/description
- "George Balanchine rehearses Karin von Aroldingen in excerpts from Variations pour une porte et un soupir. She wears a model of the large black skirt that forms the décor of the ballet. Variations pour une porte et un soupir is set to sonority by Pierre Henry and premiered on Feb. 17, 1974."
- "George Balanchine rehearses with Karin von Aroldingen and John Clifford, respectively the "Door" and the "Sigh" of the ballet's title. Musical assistance is provided by Gordon Boelzner. Balanchine does a considerable amount of demonstrating as he works with Clifford on his solo passages, even lying on the floor to show the movements he wants. He works briefly with von Aroldingen in manipulating the tent-like draperies that form a scenic element in the ballet. The ballet was first presented on February 17, 1974."
- "Karin von Aroldingen and John Clifford rehearse excerpts from Variations pour une porte et un soupir. Balanchine works with John Clifford on the choreography. At the end of the tape, Karin von Aroldingen wears a model of the black drapery that forms the set for the ballet. Jerome Robbins's voice can be heard on the tape."