Strange country modernity and nationhood in Irish writing since 1790
This book traces the emergence of a self-consciously national tradition in Irish writing from the era of the French Revolution and, specifically, from Edmund Burke's counter-revolutionary writings. From Gerald Griffin's The Collegians, to Bram Stoker's Dracula, from James Hardiman's Irish Minstrelsy to Synge, Yeats, and Joyce, Irish writing is dominated by a number of inherited issues - those of national character, of conflict between discipline and excess, of division between the languages of economics and sensibility, of modernity and backwardness. Almost all the activities of Irish print culture - its novels, songs, historical analyses, typefaces, poems - take place within the limits imposed by this complex inheritance. In the process, Ireland created a national literature that was also a colonial one. This was and is an achievement that is only now being fully recognised.
"This book traces the emergence of a self-consciously national tradition in Irish writing from the era of the French Revolution and, specifically, from Edmund Burke's counter-revolutionary writings. From Gerald Griffin's The Collegians, to Bram Stoker's Dracula, from James Hardiman's Irish Minstrelsy to Synge, Yeats, and Joyce, Irish writing is dominated by a number of inherited issues - those of national character, of conflict between discipline and excess, of division between the languages of economics and sensibility, of modernity and backwardness. Almost all the activities of Irish print culture - its novels, songs, historical analyses, typefaces, poems - take place within the limits imposed by this complex inheritance. In the process, Ireland created a national literature that was also a colonial one. This was and is an achievement that is only now being fully recognised."
"This book traces the emergence of a self-consciously national tradition in Irish writing from the era of the French Revolution and, specifically, from Edmund Burke's counter-revolutionary writings. From Gerald Griffin's The Collegians, to Bram Stoker's Dracula, from James Hardiman's Irish Minstrelsy to Synge, Yeats, and Joyce, Irish writing is dominated by a number of inherited issues - those of national character, of conflict between discipline and excess, of division between the languages of economics and sensibility, of modernity and backwardness. Almost all the activities of Irish print culture - its novels, songs, historical analyses, typefaces, poems - take place within the limits imposed by this complex inheritance. In the process, Ireland created a national literature that was also a colonial one. This was and is an achievement that is only now being fully recognised."@en
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Característiques nacionals irlandeses en la literatura.
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English literature. History and criticism : 19th century.
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English literature. History and criticism : 20th century.
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English literature Irish authors History and criticism.
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identité nationale littérature irlandaise 1790 / 20e s.
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Literatura anglesa Escriptors irlandesos S. XIX-XX Història i crítica.
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Literatura inglesa Autores irlandeses Historia y crítica.
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Littérature anglaise 19e siècle Histoire et critique.
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Littérature anglaise 20e siècle Histoire et critique.
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Littérature irlandaise (anglaise) 19e siècle Thèmes, motifs.
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Littérature irlandaise (anglaise) 20e siècle Thèmes, motifs.
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Littérature irlandaise de langue anglaise Histoire et critique.
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