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A history of architecture : settings and rituals

Ten years in the making, A History of Architecture ranges from the first prehistoric environments on record to the most recent examples of urban design. A landmark work of impressive scope, the book is enhanced by 700 halftone illustrations and 150 drawings especially prepared by architect Richard Tobias. Kostof's range of study includes not only the monumental religious, governmental and upper-class structures around which architectural history has usually been written but also the diversity of ordinary domestic, rural, and urban buildings, and landscapes which surround them. Moreover, Kostof evaluates Western achievement in the context of contemporary cultures elsewhere. Thus he duscusses the high points of imperial Rome along with Buddhist stupas and Han palaces, compares medieval Florence with medieval Cairo, and introduces Inca and Aztec cities as the Spanish conquistadores would have seen them. The author's premise is that buldings are conditioned by the social, economic, and political frame of their time; in this sense, Kostof concludes, the history of architecture can be considered an aspect of the history of human institutions. "Architecture, in the end," he writes, "is nothing less than the gift of making places for some human purpose."

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  • "Ten years in the making, A History of Architecture ranges from the first prehistoric environments on record to the most recent examples of urban design. A landmark work of impressive scope, the book is enhanced by 700 halftone illustrations and 150 drawings especially prepared by architect Richard Tobias. Kostof's range of study includes not only the monumental religious, governmental and upper-class structures around which architectural history has usually been written but also the diversity of ordinary domestic, rural, and urban buildings, and landscapes which surround them. Moreover, Kostof evaluates Western achievement in the context of contemporary cultures elsewhere. Thus he duscusses the high points of imperial Rome along with Buddhist stupas and Han palaces, compares medieval Florence with medieval Cairo, and introduces Inca and Aztec cities as the Spanish conquistadores would have seen them. The author's premise is that buldings are conditioned by the social, economic, and political frame of their time; in this sense, Kostof concludes, the history of architecture can be considered an aspect of the history of human institutions. "Architecture, in the end," he writes, "is nothing less than the gift of making places for some human purpose.""@en
  • "Abarcando desde la prehistoria hasta el postmodernismo, el libro se ocupa de los monumentos religiosos y civiles, objeto tradicional de la atención de los historiadores, y de diversidad de edificaciones industriales o domésticas, rurales o urbanas, dentro de un contexto social, físico y cultural. Las manifestaciones arquitectónicas de Occidente son insertadas en el marco de las diversas culturas contemporáneas, ofreciendo un panorama totalizador de cada momento histórico. Dividida en tres volúmenes, el primero abarca desde la prehistoria hasta la arquitectura cristiana; el segundo llega hasta 1750, y el tercero se extiende desde estas fechas hasta las manifestaciones arquitectónicas de las últimas décadas."@es
  • "Ten years in the making, A History of Architecture ranges from the first prehistoric environments on record to the most recent examples of urban design. A landmark work of impressive scope, the book is enhanced by 700 halftone illustrations and 150 drawings especially prepared by architect Richard Tobias. Kostof's range of study includes not only the monumental religious, governmental and upper-class structures around which architectural history has usually been written but also the diversity of ordinary domestic, rural, and urban buildings, and landscapes which surround them. Moreover, Kostof evaluates Western achievement in the context of contemporary cultures elsewhere. Thus he discusses the high points of imperial Rome along with Buddhist stupas and Han palaces, compares medieval Florence with medieval Cairo, and introduces Inca and Aztec cities as the Spanish conquistadores would have seen them. The author's premise is that buldings are conditioned by the social, economic, and political frame of their time; in this sense, Kostof concludes, the history of architecture can be considered an aspect of the history of human institutions. "Architecture, in the end," he writes, "is nothing less than the gift of making places for some human purpose.""

http://schema.org/genre

  • "History"@es
  • "History"@en
  • "History"
  • "Geschiedenis (vorm)"

http://schema.org/name

  • "A History of architecture : setting and rituals"
  • "A History of architecture : settings and rituals"
  • "Geschichte der Architektur (Band 2) : Vom Frühmittelalter bis zum Spätbarock"
  • "Geschichte der Architektur. Bd. 1. Von den Anfängen bis zum Römischen Reich"
  • "Geschichte der Architektur Bd. 1. Von den Anfängen bis zum Römischen Reich"
  • "A History of Architecture"
  • "A history of architecture. Settings and Rituals"
  • "A history of architecture : settings and rituals"@en
  • "Historia de la arquitectura"
  • "Historia de la arquitectura"@es
  • "A history of architecture : settings and rituals"
  • "Geschichte der Architektur/ 1, Von den Anfängen bis zum Römischen Reich"
  • "Geschichte der Architektur. Band 1, Von den Anfängen bis zum Römischen Reich"
  • "Geschichte der Architektur"
  • "Geschichte der Architektur / 1. Von den Anfängen bis zum Römischen Reich"
  • "Geschichte der Architektur / Bd. 1, Von den Anfängen bis zum Römischen Reich"
  • "Geschichte der Architektur (Band 1) : Von den Anfängen bis zum Römischen Reich"
  • "Geschichte der Architektur ( Band 3) : Vom Klassizismus bis zur Moderne"
  • "A history of architecture settings and rituals"@en
  • "A history of architechture: settings and rituals"@en

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