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Analyzing four-voice vertical sonorities in fifteenth-century sacred polyphony a comparison of selected Ockeghem Kyries according to contrapuntal theory of Pietro Aaron
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- http://id.worldcat.org/fast/1030765
- http://worldcat.org/entity/person/id/2645134985
- http://id.loc.gov/authorities/subjects/sh2009122131
- http://id.worldcat.org/fast/881333
- http://id.loc.gov/authorities/subjects/sh85073586
- http://worldcat.org/entity/person/id/2632070060
- http://id.worldcat.org/fast/1030269
- http://id.loc.gov/authorities/subjects/sh85033444
- http://id.worldcat.org/fast/1357300
- http://id.loc.gov/authorities/subjects/sh85024794
- http://worldcat.org/entity/person/id/2640242471
- http://id.loc.gov/authorities/subjects/sh85089007
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- "Analyzing four-voice vertical sonorities in fifteenth-century sacred polyphony a comparison of selected Ockeghem Kyries according to contrapuntal theory of Pietro Aaron"@en
- "Analyzing four-voice vertical sonorities in fifteenth-century sacred polyphony : a comparison of selected Ockeghem kyries according to contrapuntal theory of Pietro Aaron"@en
- "Analyzing four-voice vertical sonorities in fifteenth-century sacred polyphony : a comparison of selected Ockeghem Kyries according to contrapuntal theory of Pietro Aaron"@en
- "Analyzing four-voice vertical sonorities in fifteenth-century sacred polyphony : a comparison of selected Ockeghem kyries according to contrapunctal theory of Pietro Aaron"