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http://worldcat.org/entity/work/id/421436

The inferno

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  • "Publisher's description: Of the great poets, Dante is one of the most elusive and therefore one of the most difficult to adequately render into English verse. In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem's line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with teachers and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art. Esolen also provides a critical Introduction and endnotes, plus appendices containing Dante's most important sources--from Virgil to Saint Thomas Aquinas and other Catholic theologians--that deftly illuminate the religious universe the poet inhabited."
  • "Unlike every known translator before him, Michael Palma re-creates Dante's masterpiece in all its dimensions, without emphasizing some aspects over others, rendering Inferno into contemporary American English while maintaining Dante's original triple rhyme scheme. The result is a translation that can be appreciated for its literal faithfulness and beautiful poetic form, accompanied by facing-page Italian and explanatory notes."
  • "Accompanied by facing-page Italian and explanatory notes, a new translation, using modern American English, of the great poetic masterpiece maintains Dante's original triple rhyme scheme."
  • "The first part of Dante's classic poem of faith follows the author with his guide Virgil through the circles of hell, describing the sinners and punishments witnessed there."
  • "The Inferno, by Dante Alighieri, is part of the <A href=http://www.barnesandnoble.com/classics/index.asp?z=y&cds2Pid=16447&sLinkPrefix>Barnes & Noble Classics</A> series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:<UL type=disc><LI style=MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo2; tab-stops: list .5in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto class=MsoNormal>New introductions commissioned from today's top writers and scholars <LI style=MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo2; tab-stops: list .5in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto class=MsoNormal>Biographies of the authors <LI style=MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo2; tab-stops: list .5in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto class=MsoNormal>Chronologies of contemporary historical, biographical, and cultural events <LI style=MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo2; tab-stops: list .5in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto class=MsoNormal>Footnotes and endnotes <LI style=MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo2; tab-stops: list .5in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto class=MsoNormal>Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work <LI style=MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo2; tab-stops: list .5in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto class=MsoNormal>Comments by other famous authors <LI style=MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo2; tab-stops: list .5in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto class=MsoNormal>Study questions to challenge the reader's viewpoints and expectations <LI style=MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo2; tab-stops: list .5in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto class=MsoNormal>Bibliographies for further reading <LI style=MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo2; tab-stops: list .5in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto class=MsoNormal>Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences&#151;biographical, historical, and literary&#151;to enrich each reader's understanding of these enduring works. The Inferno remains literature's most hallowed and graphic vision of Hell. Dante plunges readers into this unforgettable world with a deceptively simple&#151;and now legendary&#151;tercet: Midway upon the journey of our life I found myself within a forest dark For the straightforward pathway had been lost. With these words, Dante plunges readers into the unforgettable world of the Inferno&#151;one of the most graphic visions of Hell ever created. In this first part of the epic The Divine Comedy, Dante is led by the poet Virgil down into the nine circles of Hell, where he travels through nightmare landscapes of fetid cesspools, viper pits, frozen lakes, and boiling rivers of blood and witnesses sinners being beaten, burned, eaten, defecated upon, and torn to pieces by demons. Along the way he meets the most fascinating characters known to the classical and medieval world&#151;the silver-tongued Ulysses, lustful Francesca da Rimini, the heretical Farinata degli Uberti, and scores of other intriguing and notorious figures. This edition of the Inferno revives the famous Henry Wadsworth Longfellow translation, which first introduced Dante's literary genius to a broad American audience. &#147;Opening the book we stand face to face with the poet, wrote William Dean Howells of Longfellow's Dante, &#147;and when his voice ceases we may marvel if he has not sung to us in his own Tuscan. Lyrically graceful and brimming with startlingly vivid images, Dante's Inferno is a perpetually engrossing classic that ranks with the greatest works of Homer and Shakespeare. Features a map of Hell and illustrations by Gustave Dor&#233;. Peter Bondanella is Distinguished Professor of Comparative Literature and Italian at Indiana University and a past president of the American Association for Italian Studies. His publications include a number of translations of Italian classics, books on Italian Renaissance literature and Italian cinema, and a dictionary of Italian literature."

http://schema.org/genre

  • "Electronic books."
  • "Translations"@en
  • "Poetry."
  • "Translations."@en
  • "Illustrations"
  • "Poetry"
  • "Poetry"@en

http://schema.org/name

  • "Inferno [Purgatorio and Paradiso]"
  • "Inferno A New Verse Translation."
  • "The inferno"@en
  • "The inferno"
  • "Inferno."
  • "L'inferno"
  • "Vision of hell"@en
  • "L'inferno /"
  • "Inferno /"
  • "Inferno /"@en
  • "L'Inferno /"
  • "The inferno /"@en
  • "Inferno"
  • "The inferno /"
  • "L'Inferno"
  • "Inferno;"@en

http://schema.org/workExample