Flutist James Galway discusses the importance of wealthy nobles, kings, and the church as patrons of music. He shows how music moved away from the elaborate formality of the Gothic and found newer and purer forms.
"The patronage of the Dukes of Burgundy, the Kings of France, and the continued influence of the Church; music, like philosophy, moves away from the elaborate formality of the Gothic and, like architecture, seeks new and purer forms."
"Flutist James Galway discusses the importance of wealthy nobles, kings, and the church as patrons of music. He shows how music moved away from the elaborate formality of the Gothic and found newer and purer forms."@en
"Flutist James Galway discusses the importance of wealthy nobles, kings, and the church as patrons of music. He shows how music moved away from the elaborate formality of the Gothic and found newer and purer forms. Several individual performers and musical groups present examples."
"Flutist James Galway discusses the importance of wealthy nobles, kings, and the church as patrons of music. He shows how music moved away from the elaborate formality of the Gothic and found newer and purer forms. Several individual performers and musical groups present examples."@en
"An overview of the music of the Renaissance where court sponsorship helped composers and performers bridge the gap between sacred and secular music. With James Galway."
"Covers the patronage of the Dukes of Burgundy, the Kings of France, and the continued influence of the Church and shows how music, like philosophy, moves away from the elaborate formality of the Gothic and, like architecture, seeks new and purer forms."@en
""This program covers the patronage of the Dukes of Burgundy, the Kings of France, and the continued influence of the Church and shows how music, like philosophy, moves away from the elaborate formality of the Gothic and, like architecture, seeks new and purer forms."--Container."@en
"Flutist James Galway discusses the importance of wealthy nobles, kings, and the church as pratons of music. He shows how music moved away from the elaborate formality of the Gothic and found newer and purer forms. Several individual performers and musical groups present examples."@en
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