. . "RoDon Enterprises." . . "Chicago (Ill.)" . . . "Thrillers (Motion pictures)"@en . "Thrillers (Motion pictures)" . . . . . . . . . "City that never sleeps (Motion picture : 1953)"@en . . "City that never sleeps"@en . . "City that never sleeps" . . . . . . . . . "Chicago police officer Johnny Kelly falls for a dancer, leaves his wife, and begins a new life by making a deal with a corrupt criminal lawyer."@en . "Feature films"@en . "Feature films" . . . "Police films"@en . . "Fiction films"@en . . . . . . "Crime films"@en . "Film noir police thriller juggles around five characters through a particularly bad night in a Chicago police precinct: Johnny Kelly, a stressed out cop ready to crack; Sally 'Angel Face' Connors, a lounge singer looking for a way out; Hayes Stewart, a thug-for-hire who's dying to move up in the syndicate; Penrod Biddle, a smooth and corrupt district attorney; and Sgt. Joe, an honest cop trying to keep Joe on a straight path." . "Herbert J. Yates presents City that never sleeps"@en . "Film noir police thriller juggles around five characters through a particularly bad night in a Chicago police precinct: Johnny Kelly, a stressed out cop ready to crack; Sally 'Angel Face' Connors, a lounge singer looking for a way out; Hayes Stewart, a thug-for-hire who's dying to move up in the syndicate; Penrod Biddle, a smooth and corrupt district attorney; and Sgt. Joe, an honest cop trying to keep Joe on a straight path."@en . . . . "Film noir" . "Film noir"@en . . . . . . . "Melodrama"@en . . . . . . . . "The city that never sleeps" . . . . . "Drama" . "Drama"@en . . "A corrupt lawyer plans to use a disillusioned cop to 'dispose' of an associate who is double crossing him. This film noir effectively uses Chicago locations as backdrops for a gallery of 'noir' characters, most interestingly a \"mechanical man\" working in a nightclub who provides some memorable moments of pathos amidst corruption and cynicism also alleviated by the 'voice of the city' in the person of a police sergeant."@en . . . "Features" . . .