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http://worldcat.org/entity/work/id/434954994

The Bauhaus in Weimar, 1919-1925

Until 1923, the Bauhaus was vulnerable to criticisms that it was too preoccupied with bizarre individualistic artistic expression and not with actual production. After 1923, the opposite view established itself. The Bauhaus was the first institution to apply itself singlemindedly to the problems of designing for industry.

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about

alternateName

http://schema.org/alternateName

  • "Bauhaus at Weimar, 1919-1923"@en
  • "Bauhaus at Weimar, 1919-1923"
  • "Bauhaus at Weimar"
  • "Bauhaus at Weimar"@en

contributor

description

http://schema.org/description

  • "Discussions entre Tim Benton et George Adams, un ancien du Bauhaus, sur les attitudes des étudiants durant 1919-1925 et de l'influence du Bauhaus sur l'art avant-gardiste."
  • "Adams, a student during the Weimar period, discusses the attitudes of the students, trends in art, and their famous tutors. Some rare artefacts made during the Bauhaus period are displayed and studied."
  • "Until 1923, the Bauhaus was vulnerable to criticisms that it was too preoccupied with bizarre individualistic artistic expression and not with actual production. After 1923, the opposite view established itself. The Bauhaus was the first institution to apply itself singlemindedly to the problems of designing for industry."@en
  • "Until 1923, the Bauhaus was vulnerable to criticisms that it was too preoccupied with bizarre individualistic artistic expression and not with actual production. After 1923, the opposite view established itself. The Bauhaus was the first institution to apply itself singlemindedly to the problems of designing for industry."
  • "Until 1923, the Bauhaus was vulnerable to criticisms that it was too preoccupied with bizarre individualistic artistic expression and not with actual production. After 1923, the opposite view established itself. The Bauhaus was the first institution to apply itself singlemindedly to the problems of designing for industry."
  • "Until 1923, the Bauhaus was vulnerable to criticisms that it was too preoccupied with bizarre individualistic artistic expression and not with actual production. After 1923, the opposite view extablished itself. The Bauhaus was the first institution to apply itself singlemindedly to the problems of designing for industry."@en
  • "Until 1923, the Bauhaus was vulnerable to criticisms that it was too preoccupied with bizarre individualistic artistic expression and not with actual production. After 1923, the opposite view established itself. The Bauhaus was the first institution to apply itself singlemindedly to the problems of designing for industry."
  • "1923 can be seen as a watershed in the development of the Bauhaus in Weimar, which had been criticized as being too preoccupied with bizarre, artistic expression. After 1923 it was hailed as the first institution to apply itself. singlehandedly to designing for industry."@en

genre

http://schema.org/genre

  • "History"@en
  • "History"
  • "Nonfiction"
  • "Documentary"
  • "Educational"

name

http://schema.org/name

  • "The Bauhaus in Weimar 1919-1925"
  • "The Bauhaus in Weimar, 1919-1925"
  • "The Bauhaus in Weimar, 1919-1925"@en

workExample