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Unearthing Balanchine's Cotillon

Dance historian Millicent Hodson and art historian Kenneth Archer discuss their reconstruction of George Balanchine's Cotillon (first performed in 1932) for the Joffrey Ballet. They note Robert Joffrey's belief in its significance due to its transitional position in the development of Balanchine's style. They recount how they reconstructed the ballet, with the help of Tamara Toumanova, as well as Alexandra Danilova, Tamara Stepanova, Irina Baronova, and others.

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  • "Millicent Hodson, Kenneth Archer"
  • "Millicent Hodson, Kenneth Archer"@en

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  • "Dance historian Millicent Hodson and art historian Kenneth Archer discuss their reconstruction of George Balanchine's Cotillon (first performed in 1932) for the Joffrey Ballet."
  • "Dance historian Millicent Hodson and art historian Kenneth Archer discuss their reconstruction of George Balanchine's Cotillon (first performed in 1932) for the Joffrey Ballet. They note Robert Joffrey's belief in its significance due to its transitional position in the development of Balanchine's style. They recount how they reconstructed the ballet, with the help of Tamara Toumanova, as well as Alexandra Danilova, Tamara Stepanova, Irina Baronova, and others."@en

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  • "Unearthing Balanchine's Cotillon"
  • "Unearthing Balanchine's Cotillon"@en

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