In 1920, at the age of thirty-five, Amedeo Modigliani died in poverty and neglect in Paris, much like a figure out of La BohEme. His life had been as dramatic as his death. An Italian Jew from a bourgeois family, "Modi" had a weakness for drink, hashish, and the many women-including the Russian poet Anna Akhmatova-who were drawn to his good looks. His friends included Picasso, Utrillo, Soutine, and other important artists of his day, yet his own work stood apart, generating little interest while he lived. Today's art world, however, acknowledges him as a master whose limited oeuvre-sculptures, portraits, and some of the most appealing nudes in the whole of modern art-cannot satisfy collectors' demand. With a lively but judicious hand, biographer Jeffrey Meyers sketches Modigliani and the art he produced, illuminating not only this little-known figure but also the painters, writers, lovers, and others who inhabited early twentieth-century Paris with him.
"Modigliani settled in Paris in 1906 and died there at the age of thirty-five. A commercial and critical failure in his lifetime, his work now seems the most accessible and appealing of the modern era. But the details of his dramatic life and tormented character remain largely unknown. This vivid biography illuminates Modigliani's Jewish-Italian background and temperament; his intellectual influences; his intense friendships with writers and painters; his relations with the most important women in his life; his addiction to absinthe, ether and hashish; his self-destructive impulse; the lifelong tuberculosis that finally killed him; the meaning of his poetry; the significance of his innovative sculpture, portraits and nudes; and his posthumous legend.-Jacket."
"In 1920, at the age of thirty-five, Amedeo Modigliani died in poverty and neglect in Paris, much like a figure out of La BohEme. His life had been as dramatic as his death. An Italian Jew from a bourgeois family, "Modi" had a weakness for drink, hashish, and the many women-including the Russian poet Anna Akhmatova-who were drawn to his good looks. His friends included Picasso, Utrillo, Soutine, and other important artists of his day, yet his own work stood apart, generating little interest while he lived. Today's art world, however, acknowledges him as a master whose limited oeuvre-sculptures, portraits, and some of the most appealing nudes in the whole of modern art-cannot satisfy collectors' demand. With a lively but judicious hand, biographer Jeffrey Meyers sketches Modigliani and the art he produced, illuminating not only this little-known figure but also the painters, writers, lovers, and others who inhabited early twentieth-century Paris with him."@en
"A biography of the Italian painter and sculptor."@en
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