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http://worldcat.org/entity/work/id/465549

The keyboard music of C.P.E. Bach, considered in relation to his musical aesthetic and the rise of the sonata principle. [With a facsimile, musical notes and a bibliography.]

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  • "The keyboard music of C.P.E. Bach, considered in relation to his musical aesthetic and the rise of the sonata principle. [With a facsimile, musical notes and a bibliography.]"@en
  • "The Keyboard music of C. P. E. Bach considered in relation to his musical aesthetic and the rise of the sonata principle"
  • "The keyboard music of C. P. E. Bach : considered in relation to his musical aesthetic and the rise of the sonata principle"
  • "The Keyboard Music of C. P. E. Bach considered in relation to his musical aesthetic and the rise of the sonata principle. [With musical illustrations.]"@en
  • "The keyboard music of C.P.E. Bach considered in relation to his musical aesthetic and the rise of the sonata principle"
  • "The keyboard music of C.P.E. Bach, considered in relation to his musical aesthetic and the rise of the sonata principle"@en
  • "The keyboard music of C.P.E. Bach, considered in relation to his musical aesthetic and the rise of the sonata principle"
  • "The Keyboard Music of C.P.E. Bach considered in relation to his musical aesthetic and the rise of the sonata principle"
  • "The Keyboard Music of C.P.E. Bach considered in relation to his musical aesthetic and the rise of the sonata principle. [With musical illustrations.]"@en
  • "The Keyboard music of C. P. E. Bach : considered in relation to his musical aesthetic and the rise of the sonata principle"
  • "The keyboard music of C. P. E. Bach considered in relation to his musical aesthetic and the rise of the sonata principle"
  • "The keyboard music of C. P. E. Bach considered in relationt, his musical aesthetic and the rise of the sonata principle"
  • "The keyboard music of C.P.E. Bach : considered in relation to his musical aesthetic and the rise of the sonata principle"@en
  • "The keyboard music of C.P.E. Bach : considered in relation to his musical aesthetic and the rise of the sonata principle"

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