Linked Data Explorerhttp://worldcat.org/entity/work/id/46665453
Voicing the popular on the subjects of popular music
How does popular music produce its subject? How does it produce us as subjects? More specifically, how does it do this through voice--through ""giving voice""? And how should we understand this subject--""the people""--That it voices into existence? Is it singular or plural? What is its history and what is its future?Voicing the Popular draws on approaches from musical interpretation, cultural history, social theory and psychoanalysis to explore key topics in the field, including race, gender, authenticity and repetition. Taking most of his examples from across the past hund.
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http://schema.org/about
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/popular_music
- http://id.loc.gov/authorities/subjects/sh85088808
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/popularna_glasba_zgodovina
- http://id.loc.gov/authorities/subjects/sh2008109787
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/musica_estetica_y_filosofia
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/musica_folclorica_historia_y_critica
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/musique_populaire
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/folk_music_history_and_criticism
- http://id.worldcat.org/fast/1071422
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/music_philosophy_and_aesthetics
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/music_genres_&_styles_pop_vocal
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/popmusik
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/muzyka_popularna_historia_i_krytyka
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/musique_populaire_histoire_et_critique
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/musique_philosophie_et_esthetique
- http://id.worldcat.org/fast/1030408
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/musikphilosophie
- http://experiment.worldcat.org/entity/work/data/46665453#Topic/popularna_glasba_estetika
http://schema.org/description
- "How does popular music produce its subject? How does it produce us as subjects? More specifically, how does it do this through voice--through ""giving voice""? And how should we understand this subject--""the people""--That it voices into existence? Is it singular or plural? What is its history and what is its future?Voicing the Popular draws on approaches from musical interpretation, cultural history, social theory and psychoanalysis to explore key topics in the field, including race, gender, authenticity and repetition. Taking most of his examples from across the past hund."@en
- "Brings together aspects of political economy, cultural history, and musical interpretation to examine the rise of popular music. This work brings a fresh perspective to the field of popular music studies. It also includes twenty-five musical examples."@en
- ""Voicing the Popular" brings together aspects of political economy, cultural history, and musical interpretation to examine the rise of popular music over the past fifty years. A unifying theme is that of 'voice,' by which Middleton means the sphere of vocality through which popular songs are delivered, as well as a broader, metaphorical sense of 'voice' as a vehicle through which subjects articulate, understand, and represent identities and personae. Tackling large themes in the field - including gender, race authenticity, and repetition as a means of structuring popular song - Middleton hopes to bring new clarity to the study of popular music, while also questioning basic assumptions. "Voicing the Popular" brings a fresh, new perspective to the field of popular music studies. Written by a world-renowned authority, it will stand as both a summation and a challenge to all interested in pursuing this growing discipline. Also includes twenty-five musical examples."
http://schema.org/workExample
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