Painter hero, the charming and larcenous Gulley Jimson, has an insatiable genius for creation and a no less remarkable appetite for destruction. Is he a great artist? a has-been? or an exhausted, drunken ne'er-do-well? He is without doubt a visionary, and as he criss-crosses London in search of money and inspiration the world as seen though his eyes appears with a newly outrageous and terrible beauty.
"Gulley Jimson, a painter and a rogue, searches London for money and inspiration."
"The Horse's Mouth is a portrait of an artistic temperament. Its principal character, Gulley Gimson, is an impoverished painter who scorns conventional good behavior. He may be a bad citizen, but he is a good artist, so wholly preoccupied with his art that he is willing to endure any privation for its sake. Such is his contempt for orthodox mores, he takes a delight in cocking a snook at them. For him there is only one morality: to be a painter."
"The Horse's Mouth, the third and most celebrated volume of Joyce Cary's First Trilogy, is perhaps the finest novel ever written about an artist. Its painter hero, the charming and larcenous Gulley Jimson, has an insatiable genius for creation and a no less remarkable appetite for destruction. Is he a great artist? a has-been? or an exhausted, drunken ne'er-do-well? He is without doubt a visionary, and as he criss-crosses London in search of money and inspiration the world as seen though his eyes is both an outrage and a place of terrible beauty. Each volume of Cary's trilogy, which begins with Herself Surprised and continues in To Be a Pilgrim, brings a single character to intense and memorable life and can be read entirely on its own. But when read together the three books, with their three strikingly different narrators, afford new and startling perspectives on each other. In the end, the trilogy offers a sweeping vision, at once funny and sad, sympathetic and satirical, of humanity in all its fallenness and freedom. It is the masterwork of a writer of dazzling insight and verbal resource, and one of the outstanding landmarks of twentieth-century fiction. - Publisher."
"Painter hero, the charming and larcenous Gulley Jimson, has an insatiable genius for creation and a no less remarkable appetite for destruction. Is he a great artist? a has-been? or an exhausted, drunken ne'er-do-well? He is without doubt a visionary, and as he criss-crosses London in search of money and inspiration the world as seen though his eyes appears with a newly outrageous and terrible beauty."
"Painter hero, the charming and larcenous Gulley Jimson, has an insatiable genius for creation and a no less remarkable appetite for destruction. Is he a great artist? a has-been? or an exhausted, drunken ne'er-do-well? He is without doubt a visionary, and as he criss-crosses London in search of money and inspiration the world as seen though his eyes appears with a newly outrageous and terrible beauty."@en
"The Horse's Mouth ... With a self-portrait and eight illustrations by the author, and The Old Strife at Plant's, a discarded chapter of The Horse's Mouth. Edited by Andrew Wright, with preface, notes and bibliography"@en
"The horse s mouth"
"The horse's mouth / and, the old strife at Plant's (adiscarded chapter of The horse's mouth)"@en
"The horse's mouth, with a self-portrait and 8 illus. by the author; and, the old strife at Plant's, a discarded chapter of The horse's mouth"
"The horse's marth"
"Horse's mouth"
"Het Genie"
"The horse's mouth. With a self-portrait and ... illustrations by the author, and the old strife at plant's, a discarded chapter of The horse's mouth. Edited by Andrew Wright with preface, notes and bibliography"@en
"The horse's mouth. With an afterword by Andrew Wright"@en
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