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"In late spring, 1890, Vincent moves to Auvers-sur-Oise, which is located near Paris. He is there under the care of Dr. Gachet and living in a humble inn. Fewer than 70 days later, Vincent is dead from a self-inflicted gunshot wound. Vincent works on his painting, including his landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming. Vincent engages the attentions of Gachet's daughter Marguerite, a young maid at the inn, a Parisian prostitute named Cathy, and even Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite."
"Set in the magnificent decor of Anvers-sur-Oise, this film, provides insight on the complex behaviour of an artist whose creation is a powerful representation of man's quest to tame the powers within. Everyone knows about the deep despair that led him to cut off his ear, but few have ever understood the intricate mental unbalance that ultimately led Vincent Van Gogh to suicide. His need for love and support remains to this day a little known aspect of his persona. The two last months of his life are key to understanding his creative apacalypse..."
"Fiction. Drame biographique racontant les derniers moments de la vie tourmentée du peintre Vincent Van Gogh. Sur recommandation de son frère Théo, Van Gogh se rend auprès du docteur Gachet, à Anvers-sur-Oise, au printemps 1890. Gachet l'encourage à peindre, ce qu'il fait fiévreusement pendant quatre mois. Finalement, Vincent se tire une balle dans le ventre. Avec Jacques Dutronc, Alexandra London. Gérard Sety, Bernard Le Coq, Elsa Zylberstein. Précédé de la bande annonce de "Talons aiguilles" de Pedro Almodovar et "les Iris" de Suzanne Gervais et Jacques Giraldeau (3:36 min., 1991, ONF)."
"In late spring, 1890, Vincent moves to Auvers-sur-Oise, which is located near Paris. He is there under the care of Dr. Gachet and living in a humble inn. Fewer than 70 days later, Vincent is dead from a self-inflicted gunshot wound. Vincent works on his painting, including his landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming and engages the attentions of Gachetś daughter Marguerite, a young maid at the inn, a Parisian prostitute named Cathy, and even Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite."
"Fiction. Drame biographique racontant les derniers moments de la vie tourmentée du peintre Vincent Van Gogh. Sur recommandation de son frère Théo, Van Gogh se rend auprès du docteur Gachet, à Anvers-sur-Oise, au printemps 1890. Gachet l'encourage à peindre, ce qu'il fait fiévreusement pendant quatre mois. Finalement, Vincent se tire une balle dans le ventre. Avec Jacques Dutronc, Alexandra London. Gérard Sety, Bernard Le Coq, Elsa Zylberstein."
""Pialat's stunningly beautiful portrait of Van Gogh's last days - widely acclaimed as the best film about the artist ever made - starts Jacques Dutronc, whose powerful performance earned him a Cesar Award for Best Actor. The film is set between May and July 1890 in the French village of Auvers, where Van Gogh went to consult the local physician Dr Gachet and to convalesce from his year-long stay in an asylum. This was a period of great creative activity, when he painted a new canvas every day, including some of his greatest masterpieces" -- Container."
"Van Goghs letzte Monate."
"A portrait of artist Vincent Van Gogh's final days, revealing his mad genius and dark sensuality."
"A portrait of artist Vincent Van Gogh's final days, revealing his mad genius and dark sensuality."@en
"A dramatization of the last 67 days of the painter Vincent Van Gogh."
""Pialat's stunningly beautiful portrait of Van Gogh's last days - widely acclaimed as the best film about the artist ever made - starts Jacques Dutronc, whose powerful performance earned him a Cesar Award for Best Actor. The film is set between May and July 1890 in the French village of Auvers, where Van Gogh went to consult the local physician Dr Gachet and to convalesce from his year-long stay in an asylum. This was a period of great creative activity, when he painted a new canvas every day, including some of his greatest masterpieces" -- Container."
"Les dernières semaines de Van Gogh à Auvers-sur-Oise. Ses tableaux, sa famille, ses amours. (Jaquette)."
"This film departs from the conventions of the artist's biopic more radically than Lust for Life or Vincent and Theo. Pialat makes no attempt to 'explain' Van Gogh's creative genius or illuminate the dark side of his psyche. Pialat uses an accumulation of naturalistic detail to present an emotionally restrained account of the last three months of Vincent's life. He is shown to be irrationally resentful of Theo's failure to sell his paintings and his moods swing erratically between introspection and frustrated anger. Dutrone's inwardness contrasts with Douglas's expressionism (in Lust for Life). Pialat introduces a fictional relationship between Vincent and Dr. Gachet's daughter in order to show Vincent's 'as a man like any other.' Compared to the portrayal in Vincent and Theo Gachet is shown in a positive light."
"An acclaimed, award-winning portrait of artist Vincent Van Gogh's final days, revealing his mad genius and dark sensuality."
"Biographie de Vincent Van Gogh suivi d'un extrait du film Le Tableau noir de Jacques Géraldeau."
"This film departs from the conventions of the artist's biopic more radically than Lust for Life or Vincent and Theo. Pialat makes no attempt to 'explain' Van Gogh's creative genius or illuminate the dark side of his psyche. Pialat uses an accumulation of naturalistic detail to present an emotionally restrained account of the last three months of Vincent's life. He is shown to be irrationally resentful of Theo's failure to sell his paintings and his moods swing erratically between introspection and frustrated anger. Dutrone's inwardness contrasts with Douglas's expressionism (in Lust for Life). Pialat introduces a fictional relationship between Vincent and Dr. Gachet's daughter in order to show Vincent as a man like any other.' Compared to the portrayal in Vincent and Theo, Gachet is shown in a positive light."
"The film was shot in the village of Auvers, where Van Gogh actually lived from May to July 1890. This was a period of great creative activity, when Van Gogh painted a new canvas every day, including some of his great masterpieces."
"Au printemps 1890, Van Gogh se rend chez le docteur Gachet à Auvers-sur-Oise, à la recommandation de son frère Théo. Le médecin encourage son patient à continuer à peindre. Sa fille Marguerite n'apprécie pas trop l'art de Vincent, mais se sent attirée par la personnalité troublée du protégé de son père. Durant 4 mois, Van Gogh peint fièvreusement, se distrayant seulement auprès de ses amis buveurs ou des prostituées. La visite de Théo ravive le sentiment de dépendance de l'artiste vis-à-vis de son frère ..."
"Het leven van Vincent van Gogh tijdens de laatste drie maanden voor zijn dood."
"Après son internement à l'asile, Vincent Van Gogh s'installe à Auvers-sur-Oise chez le docteur Gachet, amateur d'art et protecteur des peintres. Entre les relations conflictuelles qu'il entretient avec son frère Théo et sa santé mentale vacillante, Vincent continue son oeuvre. Il devient l'amant de Marguerite, la fille de son hôte, mais celle-ci comprend vite qu'il ne l'aime pas, que seul son art le fait vivre."
"Après un internement à Saint-Rémy de Provence, Vincent Van Gogh s'installe à Auvers-sur-Oise. Amoureux, il se remet à la peinture..."
""Pialat's stunningly beautiful portrait of Van Gogh's last days - widely acclaimed as the best film about the artist ever made - stars Jacques Dutronc, whose powerful performance earned him a Cesar Award for Best Actor. The film is set between May and July 1890 in the French village of Auvers, where Van Gogh went to consult the local physician DrGachet and to convalesce from his year long stay in an asylum. This was a period of great creative activity, when he painted a new canvas every day, including some of his greatest masterpieces. Vivid scenes in brothels and Bohemian cafes, swirling village dances and pastoral panoramas combine to make an unforgettable film, which confirmed Pialat as one of French cinema's greatest directors" -- Container."
"Portrait of the painter Van Gogh, shot in the village of Auvers, where Van Gogh lived from May to July 1890."