Kentridge discusses the creative process of making his animated films, drawings, and theatre work. Shows him in the final stages of animating "Stereoscope" and includes excepts from various works. In his artistic works he has investigated the diseased, amnesiac consciousness of late and post-apartheid South Africa.
""In this program, artist, filmmaker, and dramatist William Kentridge demonstrates his remarkable filmmaking technique-stop-action animation using photos of charcoal drawings in which he has erased and redrawn scenes in different arrangements-as he works on Stereoscope. Footage from that piece as well as from History of the Main Complaint; Felix in Exile; Sobriety, Obesity & Growing Old; Mine; and Johannesburg, 2nd Greatest City After Paris powerfully illustrates his abiding concerns with the sociopolitical legacy of racial oppression and colonialism in South Africa. The film clips also reveal how his polemical "drawings for projection" evoke a nuanced sense of time's passage as each image builds upon the shadowy remnants of prior ones"--Website."
"Kentridge discusses the creative process of making his animated films, drawings, and theatre work. Shows him in the final stages of animating "Stereoscope" and includes excepts from various works. In his artistic works he has investigated the diseased, amnesiac consciousness of late and post-apartheid South Africa."@en
"Kentridge discusses the creative process of making his animated films, drawings, and theatre work. Shows him in the final stages of animating "Stereoscope" and includes excepts from various works. In his artistic works he has investigated the diseased, amnesiac consciousness of late and post-apartheid South Africa."
"A documentary on Kentridge at work in his Johannesburg studio, working on the final stages of animating Stereoscope. It includes excerpts from the finished film, plus his reflections on his work and the creative process of making it."@en
"The work of South African artists William Kentridge has since the 1970s investigated the diseased, amnesiac consciousness of late and post-apartheid South Africa. Kentridge has received international acclaim for his animated films, drawings and theatre work. Kentridge films his charcoal drawings as they mutate through hundreds of successive erasers and alternations. In 1998, filmmaker Reinhard Wulf and art historian Maria Anna Tappeiner visited Kentridge's Johannesburg studio to film the artist at work. The resulting documentary records Kentridge in the final stages of animating Stereoscope. It includes excerpts from the finished film, plus Kentridge's reflections on his work and the process of making it. Stereoscope premiered at the museum of Modern Art in New York in April 1999. It was shown at the Venice Biennale 1999, and earned the Carnegie Medal at the Carnegie International 1999/2000."@en
"In this program, artist, filmmaker, and dramatist William Kentridge demonstrates his remarkable filmmaking technique--stop-action animation using photos of charcoal drawings in which he has erased and redrawn scenes in different arrangements--as he works on Stereoscope. Footage from that piece as well as from History of the Main Complaint; Felix in Exile; Sobriety, Obesity & Growing Old; Mine; and Johannesburg, 2nd Greatest City After Paris powerfully illustrates his abiding concerns with the sociopolitical legacy of racial oppression and colonialism in South Africa. The film clips also reveal how his polemical "drawings for projection" evoke a nuanced sense of time's passage as each image builds upon the shadowy remnants of prior ones--Publisher description."@en
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