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Connection (Motion picture : 1962)

"Eight drug addicts are gathered in a Manhattan loft apartment belonging to Leach. In order to pay their 'connection' when he arrives with heroin, the men have agreed for a fee to allow Jim Dunn, a would-be documentary filmmaker, and his cameraman, J.J. Burden, to photograph them. While they are waiting for their 'fix, ' four of the men play jazz; the others somewhat self-consciously relate anecdotes about themselves and their backgrounds. Eventually the 'connection, ' a black named Cowboy, arrives. He is accompanied by a street salvationist; he has brought her along to distract the police. As the addicts file into the bathroom one by one for their shots, the bewildered old woman begins to suspect that they are drinking. She so accuses them and is politely but firmly ushered from the loft. The men then persuade Dunn to try some heroin so that he will have a deeper understanding of the subject of his film. After taking the drug, he becomes violently ill and tells J.J. to take over. While Dunn is sleeping, Leach gives himself an overdose of heroin and goes into a coma. After Cowboy has given physical aid, Dunn awakens. Realizing his experiment is a failure, he tells J.J. to keep the footage"--AFI catalog, 1961-1970.

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  • ""Eight drug addicts are gathered in a Manhattan loft apartment belonging to Leach. In order to pay their 'connection' when he arrives with heroin, the men have agreed for a fee to allow Jim Dunn, a would-be documentary filmmaker, and his cameraman, J.J. Burden, to photograph them. While they are waiting for their 'fix, ' four of the men play jazz; the others somewhat self-consciously relate anecdotes about themselves and their backgrounds. Eventually the 'connection, ' a black named Cowboy, arrives. He is accompanied by a street salvationist; he has brought her along to distract the police. As the addicts file into the bathroom one by one for their shots, the bewildered old woman begins to suspect that they are drinking. She so accuses them and is politely but firmly ushered from the loft. The men then persuade Dunn to try some heroin so that he will have a deeper understanding of the subject of his film. After taking the drug, he becomes violently ill and tells J.J. to take over. While Dunn is sleeping, Leach gives himself an overdose of heroin and goes into a coma. After Cowboy has given physical aid, Dunn awakens. Realizing his experiment is a failure, he tells J.J. to keep the footage"--AFI catalog, 1961-1970."@en
  • "Des narcomanes, réunis dans un appartement minable, acceptent de se laisser filmer par un cinéaste qui leur a promis, en retour, une dose de drogue. Le tournage débute tant bien que mal jusqu'à l'arrivée du pourvoyeur. Chacun des hommes reçoit à son tour sa dose pendant que les autres discutent ou jouent de la musique de jazz. Mais l'un d'eux décide de prendre une seconde injection qui provoque chez lui une crise. C'en est fait alors du tournage du film."
  • "Film version of the play The Connection, by Jack Gelber. The play is about drug addicts waiting for a heroin dealer to bring the drug necessary for them to make their "connection." Based on the Living Theatre production, as directed by Judith Malina and designed by Julian Beck, the film was shot in a drug addict's apartment in New York City."@en
  • "Film version of the play The Connection, by Jack Gelber. The play is about drug addicts waiting for a heroin dealer to bring the drug necessary for them to make their "connection." Based on the Living Theatre production, as directed by Judith Malina and designed by Julian Beck, the film was shot in a drug addict's apartment in New York City."
  • "Film version of the play The Connection, by Jack Gelber. A filmmaker and his camera crew has brought together a group of addicts in the pad of a dope peddler to improvise on a dialogue set out for the filming of a documentary. The pusher and the junkies drift strangely about the room waiting for their connection, each in a solo characterization on a common theme, similar to the four jazz musicians onstage among them. Based on the Living Theatre production, as directed by Judith Malina and designed by Julian Beck, the film was shot in a drug addict's apartment in New York City."@en
  • "Adaptation cinématographique de la production du Living Theater de New York écrite par Jack Gelber. L'action se déroule dans la piaule minable d'un vendeur de drogue où un groupe attend anxieusement la personne qui doit arriver avec la drogue."
  • "Clarke's improvisational film centers on eight drug addicts who have gathered in a Greenwich Village loft to await their connection. To pay for their drugs, they have allowed a would-be documentary filmmaker to photograph them. The film-within-a-film records the junkies rapping, jiving, taunting the camera and offering an impromptu jam session. (Circulates)."
  • "Drama about drug addicts waiting for a heroin dealer to bring the drug necessary for them to make their "connection." Based on the Living Theatre production, as directed by Judith Malina and designed by Julian Beck, the film was shot in a drug addict's apartment in New York City."@en
  • "Shirley Clarke's first feature film is an unflinching portrayal of heroin addicts awaiting their drug "connection" in a bleak Manhattan loft apartment while a would-be documentary filmmaker and his cameraman struggle to film them."
  • "A group of addicts in a dingy apartment await the arrival of their "connection," to bring them heroin, while a documentary film maker struggles to film them."
  • "A group of addicts in a dingy apartment await the arrival of their "connection," to bring them heroin, while a documentary film maker struggles to film them."@en
  • ""We see the squalid pad of a dope peddler named Leach. He and a handful of clients drift about the room waiting for the "connection"--A man named Cowboy. To help pass the time, four jazz musicians among the addicts start to play, and their intermittent sessions provide a brilliant counterpoint to the happenings in the room. Eventually Cowboy arrives with the heroin, and Leach gives himself an all but lethal overdose at which point most of the addicts flee and the drama ends with the few who linger crouched in dreamy listening attitude over a phonograph playing Charlie Parker." - The New Yorker."
  • "Tale of drug addicts waiting for their pusher to arrive."
  • ""The connection" : Huit copains jouent du jazz et racontent des anecdotes en attendant leur dealer dans un loft de Greenwich Village. Pour se faire un peu d'argent, ils ont accepté d'être filmés par le vrai faux documentariste Jim Dunn... A travers cette fiction tournée comme un documentaire, Shirley Clarke joue sur notre perception du réel et dresse un portrait des marges de la société américaine."
  • "Drug addicts wait for their connection--a heroin dealer named 'Cowboy.' The film was shot in a drug addict's apartment in New York City."
  • "Drame adapté de la pièce de Jack Gelber, dans la production du Living Theatre, mise en scène par Judith Malina et une scénographie de Julian Beck. Des narcomanes, aussi musiciens de jazz, sont réunis dans l'appartement minable du trafiquant Leach. Ils y attendent "cowboy", la "connection" qui doit livrer leur héroine. Avec Warren Finnerty, Carl Lee, Jerome Raphel, Gary Goodrow, James Anderson, Barbara Winchester. Tournage entièrement réalisé en une seule soirée, dans l'appartement newyorkais d'un véritable narcomane."
  • ""Portrait of Jason" : Nous sommes en décembre 1966, dans la chambre qu'occupe alors Shirley Clarke au mythiqu Chelsea Hotel à New York. Seul face à la caméra, Jason Holliday, un prostitué noir et gay, s'engage dans un long monologue autobiographique. A la fois metteur en scène et interprète de sa propre histoire, il raconte, une bouteille de scotch et une cigarette à la main, la vie qu'il s'est partiellement inventé depuis son enfance."

http://schema.org/genre

  • "Fiction"
  • "Personal/independent films and video"@en
  • "Longs métrages"
  • "Video recordings for the hearing impaired"@en
  • "Video recordings for the hearing impaired"
  • "Features"@en
  • "Video recordings"@en
  • "UCLA preservation"@en
  • "Plays"@en
  • "Documentary-style films"@en
  • "Feature films"@en
  • "Feature films"
  • "Black films and programs"@en
  • "Fiction films"@en
  • "Fiction films"
  • "Experimental films"@en
  • "Experimental films"
  • "Drama"@en
  • "Drama"
  • "Videotapes"
  • "Independent films"
  • "Films de fiction"
  • "Films expérimentaux"
  • "Films musicaux"
  • "Film adaptations"@en
  • "Film adaptations"

http://schema.org/name

  • "Connection (Motion picture : 1962)"@en
  • "Connection (Motion picture)"@en
  • "Connection (Motion picture)"
  • "The Connection (Film)"
  • "The connection"
  • "The connection"@en
  • "The Connection"@en
  • "The Connection"
  • "Connection (Film cinématographique)"