Abstract Expressionism and Pop: Art of the '50s and '60s

Abstract Expressionism was born from a joining of attitudes in American art and European avant-garde art, but was later rejected for its nonfigurative and seemingly egocentric character in favor of the ultra-objective phenomenon known as Pop Art. This program examines:o Franz Kline's C & O (1958), from the National Gallery of Art, Washington, DCo Helen Frankenthaler's Mountains and Sea (1952), from the National Gallery of Art, Washington, DCo Willem de Kooning's Morning: The Springs (1983), from the Stedelijk Museum, Amsterdamo Jasper Johns' Flag (1954), from the Museum of Modern Art, New Yorko Andy Warhol's The Texan: Portrait of Robert Rauschenberg (1963), from the Wallraf-Richartz Museum and Museum Ludwig, Cologneo Roy Lichtenstein's Girl with Hair Ribbon (1965), from the National Gallery of Art, Washington, DC(60 minutes).

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"Abstract expressionism and pop"@en
"Abstract expressionism and pop"
"Art of the '50s and '60s"@en

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"Abstract Expressionism was born from a joining of attitudes in American art and European avant-garde art, but was later rejected for its nonfigurative and seemingly egocentric character in favor of the ultra-objective phenomenon known as Pop Art. This program examines:o Franz Kline's C & O (1958), from the National Gallery of Art, Washington, DCo Helen Frankenthaler's Mountains and Sea (1952), from the National Gallery of Art, Washington, DCo Willem de Kooning's Morning: The Springs (1983), from the Stedelijk Museum, Amsterdamo Jasper Johns' Flag (1954), from the Museum of Modern Art, New Yorko Andy Warhol's The Texan: Portrait of Robert Rauschenberg (1963), from the Wallraf-Richartz Museum and Museum Ludwig, Cologneo Roy Lichtenstein's Girl with Hair Ribbon (1965), from the National Gallery of Art, Washington, DC(60 minutes)."@en
"Abstract Expressionism was born from a joining of attitudes in American art and European avant-garde art, but was later rejected for its nonfigurative and seemingly egocentric character in favor of the ultra-objective phenomenon known as Pop Art. This program examines: Franz Kline's C and O."@en
"Filmed at many museums on both sides of the Atlantic, this program critically examines the following masterpieces of Pop art: Franz Kline's C & O ; Helen Frankenthaler's Mountains and sea ; Willem de Kooning's Morning : the springs ; Jasper Johns' Flag ; Andy Warhol's The Texan : portrait of Robert Rauschenberg ; and Roy Lichtenstein's Girl with hair ribbon."@en
"Filmed at many museums on both sides of the Atlantic, this program critically examines the following masterpieces of Pop art: Franz Kline's C & O ; Helen Frankenthaler's Mountains and sea ; Willem de Kooning's Morning : the springs ; Jasper Johns' Flag ; Andy Warhol's The Texan : portrait of Robert Rauschenberg ; and Roy Lichtenstein's Girl with hair ribbon."
""Abstract Expressionism was born from a joining of attitudes in American art and European avant-garde art, but was later rejected for its nonfigurative and seemingly egocentric character in favor of the ultra-objective phenomenon known as Pop Art. This program examines: Franz Kline's 'C & O' (1958), from the National Gallery of Art, Washington DC; Helen Frankenthaler's 'Mountains and Sea' (1952), from the National Gallery of Art, Washington, DC; Willem de Kooning's 'Morning: The Springs' (1983), from the Stedelijk Museum, Amsterdam; Jasper Johns' 'Flag' (1954), from the Museum of Modern Art, New York; Andy Warhol's 'The Texan: Portrait of Robert Rauschenberg' (1963), from the Wallraf-Richartz Museum and Museum Ludwig, Cologne; Roy Lichtenstein's 'Girl with Hair Ribbon' (1965), from the National Gallery of Art, Washington, DC."@en