"Beginning in 1949 with Sexus, a work so controversial all of Paris was abuzz with L'Affaire Miller (and publisher Maurice Girodias saw himself threatened with jail), following in 1952 with Plexus, and finally concluding with 1959's Nexus, the three works are a dazzling array of scenes, sexual encounters and ideas, covering Miller's final days in NY, his relationship with June Miller and her lover, his take on the arts, his favorite writers, his thoughts, his insights, his days and his nights, finally ending with a glorious farewell to the life he'd knows and an anticipation of the life he would lead."--Page 4 of cover.
""Beginning in 1949 with Sexus, a work so controversial all of Paris was abuzz with L'Affaire Miller (and publisher Maurice Girodias saw himself threatened with jail), following in 1952 with Plexus, and finally concluding with 1959's Nexus, the three works are a dazzling array of scenes, sexual encounters and ideas, covering Miller's final days in NY, his relationship with June Miller and her lover, his take on the arts, his favorite writers, his thoughts, his insights, his days and his nights, finally ending with a glorious farewell to the life he'd knows and an anticipation of the life he would lead."--Page 4 of cover."@en
"Second volet de l'autobiographie souvent très crue d'Henry Miller. Il aborde sa jeunesse à New York, son combat difficile pour devenir un artiste. Il décrit sa nouvelle compagne extraordinairement dévouée, Mona."
"The Rosy Crucifixion may be Miller's masterpiece. It is an extended account of Miller's efforts to become a writer and relates his struggles, financial and spiritual, in detail. At the same time, it recreates the tone and texture of Miller's environment, and brings alive his varied cronies. Written in a relaxed, naturalistic American prose, the book is at times uproariously funny, especially when Miller pokes fun at himself. Nexus, the last book of Henry Miller's trilogy, is widely considered to be one of the landmarks of American fiction. In it, Miller vividly recalls his many years as a down-and-out writer in New York City, his friends, mistresses, and the unusual circumstances of his eventful life. It is autobiographical and tells the story of Miller's bizarre second marriage and its development into an extraordinary and legendary ménage à trois."
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