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The eye hears, the ear sees

Introduces Norman McLaren and his work. Shows examples of his multiple exposure effects. Demonstrates how he makes moving pictures without cameras and sound tracks without instruments. Includes excerpts from his films, including Hen hop and Pas de deux.-

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about

alternateName

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  • "oeil écoute et l'oreille voit"

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description

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  • "Introduces Norman McLaren and his work. Shows examples of his multiple exposure effects. Demonstrates how he makes moving pictures without cameras and sound tracks without instruments. Includes excerpts from his films, including Hen hop and Pas de deux.-"@en
  • "Interviews with Norman McLaren, excerpts from his films and his own explication of his techniques, contribute insight into this creative artist and his work."
  • "Interviews with Norman McLaren including excerpts from his films and discussion of his techniques."@en
  • "Gavin Millar talks with N. McLaren and G. Munro, and shows many examples of the development of the McLaren style, from his earliest to his most recent films."@en
  • "Documentaire-entrevue sur Norman McLaren; regard sur ses travaux illustré d'extraits de son oeuvre; McLaren y explique sa méthode, ses techniques, ses préoccupations successives. Extraits de documents peu connus sur son travail éducatif en Chine."
  • "Introduces Norman McLaren and his work. Includes excerpts from his films, including Hen hop and Pas de deux."
  • "Introduces Norman McLaren and his work. Shows examples of his multiple exposure effects. Demonstrates how he makes moving pictures without cameras and sound tracks with instruments. Includes excerpts from his films, includes Hen hop and Pas de deux."@en
  • "Documentary about Norman McLaren, innovative film animator. McLaren explains and demonstrates his techniques, which are illustrated with excerpts from his films. Films excerpted are: Hen hop, Fiddle de dee, La Poulette grise, Blinkety blank, Neighbors, Spheres, Pas de deux, and Synchromy."
  • "Introduces Norman McLaren and his work. Shows examples of his multiple exposure effects. Demonstrates how he makes moving pictures without cameras and sound tracks without instruments. Includes excerpts from his films, including Hen hop and Pas de deux."@en
  • "Introduces Norman McLaren and his work. Shows examples of his multiple exposure effects. Demonstrates how he makes moving pictures without cameras and sound tracks without instruments. Includes excerpts from his films, including Hen hop and Pas de deux."
  • "Introduces Norman McLaren and his work at the National Film Board. Shows examples of his multiple exposure effects. Demonstrates how he makes moving pictures with cameras and sound tracks with instruments. Includes excerpts from his films, including Hen hop and Pas de deux."
  • "This introduction to Norman McLaren and his work shows how he has created many innovative films which have become classic examples of film art. McLaren discusses and demonstrates some of his techniques, and excerpts from his films are shown."@en
  • "Introduces Norman McLaren and his work. Shows examples of his multiple exposure effects. Demonstrates how he makes moving pictures wthout cameras and sound tracks without instruments. Includes excerpts from his films, including Hen hop and Pas de deux."@en
  • "An introduction to Norman McLaren and his work showing how he made the many innovative films which are classic examples of film art. He talks of what brought him to film making and why he has never been content with conventional techniques."@en
  • "This introduction to Norman McLaren and his work shows how he has created many innoveative films which have become classic examples of film art. Techniques and excerpts from McLaren's work are discussed."
  • "Norman McLaren makes moving pictures without cameras, and music tracks without instruments. He has made the ear see, by producing sound from shapes drawn onto the sound track."@en
  • "Summary: Norman McLaren is one of the most original artists working in the cinema today. In a conversation with critic Gavin Millar he discusses various aspects of his art, explaining amongst other thingshis technique of drawing directly on film and, with the assistance of Grant Munro, demonstrating the animation of live actors. To illustrate his art extracts from the following films are shown: "Hen hop" (1942), "Fiddle-de-dee" (1947), "La poulette grise" (1947), "Neighbors" (1952), "Blinkity blank" (1955), "Mosaic" (1965), "Pas de deux" (1967), "Spheres" (1969) and a new film "Striations". Also included is an extract from Len Lye's "Colour box" (1935)."

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  • "Criticism, interpretation, etc"@en
  • "non fiction"
  • "Interviews"
  • "History"@en
  • "Biography"
  • "Biography"@en
  • "DVDs"@en

name

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  • "The eye hears, the ear sees"
  • "The eye hears, the ear sees"@en
  • "The eye hears the ear sees"@en
  • "The Eye hears, the ear sees"@en
  • "The Eye hears, the ear sees"
  • "The eye hears, the ear sees Norman McLaren, film maker"@en
  • "The Eye hears, the ear sees an hour with the world-famous film animator Norman McLaren"
  • "The eye hears, the ear sees [videocassette]"@en
  • "The eye hears, the ear sees an hour with the world-famous film animator Norman McLaren"
  • "The eye hears, the ear sees Normal McLaren, film maker"
  • "The Eye hears, the ear sees Norman McLaren, film maker"@en
  • "The Eye hears, the ear sees Norman McLaren, film maker"

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