WorldCat Linked Data Explorer

Turtle N-Triple JSON-LD RDF/XML HTML Contact Us Home

http://worldcat.org/entity/work/id/476770306

Split britches

The feminist theatre group Split Britches wrote and performed its own material. These six videos were shot during performances, and although the videos are less than perfect, the performances are gems.

Open All Close All

type

about

alternateName

http://schema.org/alternateName

  • "Split Britches"
  • "Split Britches (rehearsal excerpts)"

author

contributor

description

http://schema.org/description

  • "Since 1981, the Split Britches Company (founded by Lois Weaver, Peggy Shaw, and Deb Margolin, www.splitbritches.com) has written and performed in trio, duet, and solo, as well as collaborated and performed with other artists. They describe their work in this way: 'Our work is rooted in popular culture, but positioned against it. It relies on moments rather than plot, relationships rather than story. It depends on the surprise of transformation rather than the logic of psychological narrative. It straddles the line between performance and theater, exploiting theatricality while exposing the pretense. It is about a community of outsiders, queers, eccentrics. It is feminist because it encourages the imaginative potential in everyone and lesbian because it takes the presence of lesbian on stage as a given.' Their vaudevillian satirical gender-bending performances have received numerous awards, including a Jane Chamber award and four Village Voice OBIE awards. Their collection of scripts, Split Britches Feminist Performance/Lesbian Practice, edited by Sue Ellen Case, won the 1997 Lambda Literary Award for Drama. This video documents a first rehearsal of the first draft of their show Split Britches- The True Story, which marks the initial collaboration of the trio and is the show from which they got their name. Conceived and directed by Lois Weaver, its a show based on true stories of three members of Weavers family in the Blue Ridge Mountains of Virginia, United States. It also marks the beginning of the companys aesthetic: weaving multiple true stories in one, trusting the details of the everyday and relying on relation rather than action.The Christian Science Monitor called this play a tiny masterpiece."
  • "Play about three sisters living in the Blue Ridge Mountains of West Virginia during 1930s and 1940s."
  • "Since 1981, the Split Britches Company (founded by Lois Weaver, Peggy Shaw, and Deb Margolin) has written and performed in trio, duet, and solo, as well as collaborated and performed with other artists. They describe their work in this way: 'Our work is rooted in popular culture, but positioned against it. It relies on moments rather than plot, relationships rather than story. It depends on the surprise of transformation rather than the logic of psychological narrative. It straddles the line between performance and theater, exploiting theatricality while exposing the pretense. It is about a community of outsiders, queers, eccentrics. It is feminist because it encourages the imaginative potential in everyone and lesbian because it takes the presence of lesbian on stage as a given.' Their vaudevillian satirical gender-bending performances have received numerous awards, including a Jane Chamber award and four Village Voice OBIE awards. This video captures the story of three sisters living in the Blue Ridge Mountains of West Virginia during 1930s and 1940s."
  • "The feminist theatre group Split Britches wrote and performed its own material. These six videos were shot during performances, and although the videos are less than perfect, the performances are gems."@en
  • "Story about three sisters living in the Blue Ridge Mountains of West Virginia during 1930s and 1940s."@en
  • "Since 1981, the Split Britches Company (founded by Lois Weaver, Peggy Shaw, and Deb Margolin, www.splitbritches.com) has written and performed in trio, duet, and solo, as well as collaborated and performed with other artists. They describe their work in this way: 'Our work is rooted in popular culture, but positioned against it. It relies on moments rather than plot, relationships rather than story. It depends on the surprise of transformation rather than the logic of psychological narrative. It straddles the line between performance and theater, exploiting theatricality while exposing the pretense. It is about a community of outsiders, queers, eccentrics. It is feminist because it encourages the imaginative potential in everyone and lesbian because it takes the presence of lesbian on stage as a given.' Their vaudevillian satirical gender-bending performances have received numerous awards, including a Jane Chamber award and four Village Voice OBIE awards. Their collection of scripts, Split Britches Feminist Performance/Lesbian Practice, edited by Sue Ellen Case, won the 1997 Lambda Literary Award for Drama. This video documents their show Split Britches- The True Story, which marks the initial collaboration of the trio and is the show from which they got their name. Conceived and directed by Lois Weaver, its a show based on true stories of three members of Weavers family in the Blue Ridge Mountains of Virginia, United States. It also marks the beginning of the companys aesthetic: weaving multiple true stories in one, trusting the details of the everyday and relying on relation rather than action. The Christian Science Monitor called this play a tiny masterpiece."

director

genre

http://schema.org/genre

  • "Work-in-progress"
  • "Feminist theater"
  • "Performance art"
  • "Performance"
  • "Drama"
  • "Drama"@en
  • "Theater"
  • "Performances (entertainment events)"
  • "Lesbian theater"

name

http://schema.org/name

  • "Split Britches"
  • "Split britches"
  • "Split britches"@en

performer

producer

workExample