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Nurturing ballet choreographers
Alexandre Proia and James Sewell, ballet dancers who have turned their sights to choreography, discuss how they developed this interest, their first choreographic efforts, and the lessons they learned from the master choreographers for whom they have danced. They also talk about their choice of dancers and music, and balancing their work as choreographers with performing careers. Excerpts from Proia's Pas in "D" for two and Untitled are screened, as well as Sewell's The yin in yang, Samson and Delilah, The counterpoint, The reremember, and Late.
- "Alexander Proia, James Sewell"
- "Alexandre Proia and James Sewell, ballet dancers who have turned their sights to choreography, discuss how they developed this interest, their first choreographic efforts, and the lessons they learned from the master choreographers for whom they have danced. They also talk about their choice of dancers and music, and balancing their work as choreographers with performing careers. Excerpts from Proia's Pas in "D" for two and Untitled are screened, as well as Sewell's The yin in yang, Samson and Delilah, The counterpoint, The reremember, and Late."@en
- "Alexandre Proia and James Sewell, ballet dancers who have turned their sights to choreography, discuss how they developed this interest, their first choreographic efforts, and the lessons they learned from the master choreographers for whom they have danced."
- "Video"@en
- "Interviews"@en
- "Dance"@en
- "Nurturing ballet choreographers"
- "Nurturing ballet choreographers"@en