"Death Psychological aspects." . . . "\"Harry Peters walks into an old club, greeting what may be an old friend or a long lost brother. The club brings back memories, or creates them, and even though he is not sure which, he is there for a reason: to find out something about himself. He often asks, \"What is the subject?\" as if trying to prompt the answers to life-long questions out of the walls and dusty chairs. A piano plays old music. A middle-aged bag lady sits in the back and occassionally makes remarks. He is visited by his wife, or is it? He is visited by a young couple, the woman reminding him of a lustful past. He is visited by another couple who remind him of a lustful past. He is visited by another couple who remind him of nothing until the young girl talks to him as his daughter would. Through it all, a trip to the powder room by the other characters creates a sensation of peace, but Harry won't go there -- doesn't want to. Wants to avoid it. Is the powder room heaven after the nightclub purgatory? Is Harry struggling to stay in the real world and is this play a dream as he fights for his life? Is his search for a \"subject\" the same as our search for meaning in our lives? Perhaps\"--Page 4 of cover."@en . . . "Mr. Peters' connections" . "Mr. Peters' connections"@en . . "Mister Peters' connections"@en . "Mister Peters' connections" . . "MR. Peters' connections" . . . "Drama"@en . "Drama" . . . . . . . . . . "Mr Peters' connections" . . . . . . . . . . "While sitting in an abandoned bar, retired pilot Mr. Peters meets his deceased brother, an ex-lover, his daughter and her boyfriend, his wife, and a bag lady, and tries to figure out their connections to himself." . . . . . "Mr Peter's connections"@en . "Mr Peter's connections" . "Death." . . "Subconsciousness." . . "Death Psychological aspects Drama." . . "drama" . . "Near-death experiences Drama." . . "Near-death experiences." . . . . "Subconsciousness Drama." . .