WorldCat Linked Data Explorer

http://worldcat.org/entity/work/id/495282703

The cinema of George A. Romero : knight of the living dead

The Cinema of George A. Romero: Knight of the Living Dead is the first in-depth study in English of the career of this foremost auteur working at the margins of the Hollywood mainstream in the horror genre. In placing Romero's oeuvre in the context of literary naturalism, the book explores the relevance of the director's films within American cultural traditions and thus explains the potency of such work beyond 'splatter movie' models. The author explores the roots of naturalism in the work of Emile Zola and traces this through to the EC Comics of the 1950s and on to the work of St.

Open All Close All

http://schema.org/about

http://schema.org/description

  • "Tony Williams traces the roots of literary naturalism from Emile Zola through Steven King and on to George A. Romero, the subject of this study. Romero's work is synonymous with horror but the potency of it goes beyond the normal 'splatter movie' model. This volume offers an in-depth study of Romero and his oeuvre."
  • "In placing Romero's oeuvre in the context of literary naturalism, the book explores the relevance of the director's films within American cultural traditions and thus explains the potency of such work beyond 'splatter movie' models. The author explores the roots of naturalism in the work of Emile Zola and traces this through to the EC Comics of the 1950s and on to the work of Stephen King. In so doing, the book illuminates the importance of seminal Romero texts such as Night of the Living Dead (1968), Creepshow (1982), Monkey Shines (1988), The Dark Half (1992). This study also includes full c..."
  • "The Cinema of George A. Romero: Knight of the Living Dead is the first in-depth study in English of the career of this foremost auteur working at the margins of the Hollywood mainstream in the horror genre. In placing Romero's oeuvre in the context of literary naturalism, the book explores the relevance of the director's films within American cultural traditions and thus explains the potency of such work beyond 'splatter movie' models. The author explores the roots of naturalism in the work of Emile Zola and traces this through to the EC Comics of the 1950s and on to the work of St."@en

http://schema.org/genre

  • "Criticism, interpretation, etc"@en
  • "Criticism, interpretation, etc"
  • "Online-Publikation"
  • "Electronic books"@en

http://schema.org/name

  • "The Cinema of George Romero : knight of the living dead"
  • "The cinema of George A. Romero : knight of the living dead"
  • "The cinema of George A. Romero : knight of the living dead"@en
  • "Cinema of George A"@en
  • "˜Theœ Cinema of George A Knight of the Living Dead"
  • "The cinema of George A. Romero knight of the living dead"
  • "The cinema of George A. Romero knight of the living dead"@en