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"Through Fousseini, a muslim firmly attached to his faith and traditions, this film draws a picture of Ouagadougou in the traps of modernism and traditionalism. Foussei tries to take care of his family according to the old precepts and the code of honor inherited from his ancestors. One of his sons is a cinema projectionist and supports all the family against the will of his wife, while the other son idles around all day, looking for girlfriends."
"Ouagadougou, its buildings and shantytowns ... Wealth in a modern town and poverty in the suburbs. Through Fousseini -- a Muslim firmly attached to his faith and traditions - and his family Haramuya draws a picture of Ouagadougou in the traps of modernism and traditionalism."@en
"A Ouagadougou, les quartiers aisés et les bidonvilles se juxtaposent. Sur les bords du marigot où s'est développée la ville, vit Fousseini un homme ordinaire. Animiste, il a été converti à l'islam par les commerçants dioulas du quartier. Avec ses deux femmes et ses fils il essaie de faire vivre sa famille dans le respect des traditions."
"Fousseini, a Muslim, firmly attached to his faith and traditions tries to take care of his family according to the old precepts and the code of honor inherited from his ancestors."
"Through Fousseini, a muslim man firmly attached to his faith and traditions, this film draws a picture of Ouagadougou in the traps of modernism and traditionalism. Fousseini tries to take care of his family according to the old precepts and the code of honor inherited from his ancestors. One of his sons is a cinema projectionist and supports all the family against the will of his wife, while the other son idles around all day, looking for girlfriends."